The two young men skirted the foot of the hill and came upon the scene
just when Dawn, as queen of the air, attended by her sprites and nymphs,
came into view with a gentle, gliding run learned surely from the birds,
for nowhere else could such grace be found. She was clad in white
drapery of homespun linen, one of her own mother’s finest sheets. It
was drawn about her slender form, over her shoulders, in a fashion all
her own, though graceful as any Greek goddess. Her white throat and
round white arms were bare, the long, dark curls had been set free, and
about her brow was a wreath of exquisite crab-apple blossoms, whose
delicate tinting matched the rose of her cheeks. About her throat, arms,
wrists, and ankles—for her feet were bare—were close-fitting chains of
the same blossoms. Here and there the white drapery of her garment,
which fell half way from the knee to the ankle, was fastened with a
spray of blossoms. It was a daring costume for a Quaker-reared maiden
to don, and she knew it, but she expected no eyes to look upon her save
her companions and the friendly cattle. She stood poised on the green
slope, holding in her hands and high above her head a soft scarf of
white—an old curtain which she had saved from the rag-bag and wet and
stretched in the sun till it was soft and pliable. She had mended it,
and fastened the darns with blossoms, and edged it also with blossoms
plucked close from the stem and sewed down in a fine flat border.
Behind her came her maidens, their garments sewed over with maple
leaves, tender and green and fluttering. They were crowned and wreathed
also with maple leaves, and made a beautiful setting for Dawn’s delicate
beauty.
Then down the hillside they came, the maidens with festoons of leaves
fastened together by their stems, which they held aloft as their leader
held her scarf. They sang a strange, sweet song that had in it the
wildness of the thrush’s song, the sweetness of the robin’s.
It was Dawn who had composed the melody, and taught it to them. She had
learned it from the birds, and interpreted old Shakespeare’s words.
They sang it as the zephyrs sing.
The little audience sat with bated breath; the old cows chewed their cud
thoughtfully, one with soft eyes heaved a long, clover-scented sigh,
marvelling on the ways of the world. The two strangers stood entranced
and astonished; but the heart of one of them thrilled with a strange new
joy.
Public-domain text, read in full here on John Shaqi.
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