Days and Nights in London; Or, Studies in Black and Gray — John Shaqi
Days and Nights in London; Or, Studies in Black and GrayRitchie, J. Ewing (James Ewing)
History
Days and Nights in London; Or, Studies in Black and Gray
Ritchie, J. Ewing (James Ewing)
London (England) -- Social conditions; London (England) -- Social life and customs
The Middlesex magistrates have shut up the Argyle Rooms. Mr. Bignell,
who has found it worth his while to invest £80,000 in the place, it is to
be presumed, is much annoyed, and has, in some respects, reason to be so.
Year after year noble lords and Middlesex magistrates have visited the
place, and have licensed it. Indeed, it had become one of the
institutions of the country—one of the places which Bob Logic and
Corinthian Tom (for such men still exist, though they go by other names)
would be sure to visit, and such as they and the women who were
_habitués_ will have to go elsewhere. It is said a great public scandal
is removed, but the real scandal yet remains. It is a scandal that such
a place ever flourished in the great metropolis of a land which professes
Christianity—which pays clergymen and deans, and bishops and archbishops
princely sums to extirpate that lust of the flesh and lust of the eye and
pride of life, which found their lowest form of development in the Argyle
Rooms. It was a scandal that men of position, who have been born in
English homes and nursed by English mothers, and been consecrated
Christians in baptism, and have been trained at English public schools
and universities, and worshipped in English churches and cathedrals,
should have helped to make the Argyle a flourishing institution. Mr.
Bignell created no vice—he merely pandered to what was in existence. It
was men of wealth and fashion who made the Argyle what it was. The
Argyle closed, the vice remains the same, and it will avail little to
make clean the outside of the whited sepulchre if within there be
rottenness and dead men’s bones. Be that as it may, there are few people
who will regret the defeat of Mr. Bignell and the closing of the Argyle.
It was not an improving spectacle in an age that has sacrificed
everything to worldly show, and that has come to regard brougham as the
one thing needful—as the outward and visible sign of an inward and
invisible grace—as a charter of respectability to everyone who rides in
it, whether purchased by the chastity of woman or the honour of man—to
see painted and bedizened females, most of them
Born in a garret, in a kitchen bred,
Public-domain text, read in full here on John Shaqi.
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