Days and Nights in London; Or, Studies in Black and GrayRitchie, J. Ewing (James Ewing)
History
Days and Nights in London; Or, Studies in Black and Gray
Ritchie, J. Ewing (James Ewing)
London (England) -- Social conditions; London (England) -- Social life and customs
less hurtful. Every man would have his half-pint of porter before him;
many would be speaking at once, and the hum and confusion would be such
as gave an idea of there being more talkers than thinkers, more speakers
than listeners. Presently, ‘order’ would be called, and comparative
silence restored; a speaker, stranger, or citizen would be announced with
much courtesy or compliment. ‘Hear, hear, hear,’ would follow, with
clapping of hands and knocking of knuckles on the tables till the
half-pints danced; then a speech with compliments to some brother orator
or popular statesman; next a resolution in favour of Parliamentary
reform, and a speech to second it; an amendment on some minor point would
follow; a seconding of that; a breach of order by some individual of warm
temperament, half-a-dozen would rise to set him right, a dozen to put
them down; and the vociferation and gesticulation would become loud and
confounding.” Such things are out of fashion nowadays. Political
discussion requires a certain amount of intellectual capacity. In London
there are but few discussion forums now, and the leading one is so
fearfully ventilated and so heavily charged with the fumes of stale
tobacco and beer, that it is only a few who care to attend. I remember
when there were three very close together and well attended. I remember
also when we had a music-hall in the City. It was not a particularly
lively place of resort. We used to have “The Bay of Biscay” and “The
Last Rose of Summer,” and now and then a comic song, while the visitor
indulged in his chop or beef-steak and the usual amount of alcoholic
fluid considered necessary on such occasions. But now we have changed
all that, and the simple-hearted frequenter of Dr. Johnson’s Tavern
half-a-century back would be not a little astonished with the modern
music-hall, which differs _in toto cælo_ from the public-house to which
in old-fashioned days a plain concert-room was attached.
Public-domain text, read in full here on John Shaqi.
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