De Carmine Pastorali: Prefixed to Thomas Creech's translation of the Idylliums of Theocritus (1684)Rapin, René
History
De Carmine Pastorali: Prefixed to Thomas Creech's translation of the Idylliums of Theocritus (1684)
Rapin, René
Pastoral poetry -- History and criticism; Theocritus. Idylls
The _Scene_ lys amongst Sheapards, the _Swains_ are brought in, the
_Herdsmen_ come to see his misery, and the fiction is suited to the
real condition of a _Sheapard_; the same is to be said for his
_Silenus_, who tho he seems lofty, and to sound to loud for an oaten
reed, yet since what he sings he sings to _Sheapards_, and suits his
Subject to their apprehensions, his is to be acknowledged _Pastoral_.
This rule we must stick to, that we might infallibly discern what is
stricktly _Pastoral_ in _Virgil_ and _Theocritus_, and what not: for
in _Theocritus_ there are some more lofty thoughts which not having
any thing belonging to Sheapards for their Subject, must by no means
be accounted _Pastoral_, But of this more in its proper place.
My present inquiry must be what is the _Subject Matter_ of a
_Pastoral_, about which it is not easy to resolve; since neither from
_Aristotle_, nor any of the _Greeks_ who have written _Pastorals_, we
can receive certain direction. For sometimes they treat of high and
sublime things, like _Epick Poets_; what can be loftier than the whole
_Seaventh Idyllium of Bias_ in which _Myrsan_ urges _Lycidas_ the
Sheapard to sing the Loves of _Deidamia_ and _Achilles_. For he
begins from _Helen's_ rape, and goes on to the revengful fury of the
_Atrides_, and shuts up in one _Pastoral_, all that is great and
sounding in _Homers Iliad_.
{21} Sparta was fir'd with Rage
And gather'd Greece to prosecute Revenge.
And _Theocritus_ his verses are sometimes as sounding and his
thoughts as high: for upon serious consideration I cannot mind what
part of all the _Heroicks_ is so strong and sounding as that
_Idyllium_ on _Hercules_ *leontophonô* in which _Hercules_ himself
tells _Phyleus_ how he kill'd the Lyon whose Skin he wore: for, not to
mention many, what can be greater than this expression.
And gaping Hell received his mighty Soul:
Why should I instance in the *dioskouroi*, which hath not one line
below Heroick; the greatness of this is almost inexpressible.
*anêr hyperoplos enêmeros, endiaaske
deinos idein*
And some other pieces are as strong as these, such is the _Panegyrick
on Ptolemy_, _Helen's Epithalamium_, and the Fight of young _Hercules_
and the Snakes: now how is it likely that such Subjects should be fit
for _Pastorals_, of which in my opinion, the same may be said which
_Ovid_ doth of his _Cydippe_.
Cydippe, Homer, doth not fit thy Muse.
For certainly _Pastorals_ ought not to rise to the Majesty of
_Heroicks_: but who on the other side {22} dares reprehend such great
and judicious Authors, whose very doing it is Authority enough? What
shall I say of _Virgil_? who in his Sixth _Eclogue_ hath put together
allmost all the particulars of the fabulous Age; what is so high to
which _Silenus_ that Master of Mysterys doth not soar?
Public-domain text, read in full here on John Shaqi.
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