De Carmine Pastorali: Prefixed to Thomas Creech's translation of the Idylliums of Theocritus (1684) — John Shaqi
De Carmine Pastorali: Prefixed to Thomas Creech's translation of the Idylliums of Theocritus (1684)Rapin, René
History
De Carmine Pastorali: Prefixed to Thomas Creech's translation of the Idylliums of Theocritus (1684)
Rapin, René
Pastoral poetry -- History and criticism; Theocritus. Idylls
When Fontenelle's "Discours" was translated in 1695, the first phrase
of it quoted above was translated as "those Pedants who profess a
kind of Religion which consists of worshipping the Ancients" (p.294).
Fontenelle's phrase more nearly than that of the English translator
describes Rapin. Though Rapin's erudition was great, he escaped the
quagmire of pedantry. He refers most frequently to the scholiasts and
editors in "_The First Part_" (which is so trivial that one wonders
why he ever troubled to accumulate so much insignificant material),
but after quoting them he does not hesitate to call their ideas
"pedantial" (p. 24) and to refer to their statements as grammarian's
"prattle" (p. 11). And, though at times it seems that his curiosity
and industry impaired his judgment, Rapin does draw significant ideas
from such scholars and critics as Quintilian, Vives, Scaliger,
Donatus, Vossius, Servius, Minturno, Heinsius, and Salmasius.
Rapin's most prominent disciple in England is Pope. Actually, Pope
presents no significant idea on this subject that is foreign to
Rapin, and much of the language--terminology and set phrases--of
Pope's "Discourse" comes directly from Rapin's "Treatise" and from
the section on the pastoral in the _Reflections_. Contrary to his own
statement that he "reconciled" some points on which the critics
disagree and in spite of the fact that he quotes Fontenelle, Pope in
his "Discourse" is a neoclassicist almost as thoroughgoing as Rapin.
The ideas which he says he took from Fontenelle are either
unimportant or may be found in Rapin. Pope ends his "Discourse" by
drawing a general conclusion concerning his _Pastorals_: "But after
all, if they have any merit, it is to be attributed to some good old
authors, whose works as I had leisure to study, so I have not wanted
care to imitate." This statement is diametrically opposed to the
basic ideas and methods of Fontenelle, but in full accord with and no
doubt directly indebted to those of Rapin.
The same year, 1717, that Pope 'imitated' Rapin's "Treatise," Thomas
Purney made a direct attack on Rapin's neoclassic procedure. In the
"Preface" to his own _Pastorals_ he expresses his disapproval of
Rapin's method, evidently with the second passage from Rapin quoted
above in mind:
_Rapine's_ Discourse is counted the best on this Poem, for 'tis
the longest. You will easily excuse my not mentioning all his
Defects and Errors in this Preface. I shall only say then, that
instead of looking into the true Nature of the Pastoral Poem,
and then judging whether _Theocritus_ or any of his Followers
have brought it to it's utmost Perfection or not. _Rapine_
takes it for granted that _Theocritus_ and _Virgil_ are
infallible; and aim's at nothing beyond showing the Rules which
he thinks they observ'd. Facetious Head! (_Works_, Oxford,
1933, pp. 51-52. The Peroy Reprints, No. XII)
Public-domain text, read in full here on John Shaqi.
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