English literature -- History and criticism; Greenaway, Kate, 1846-1901; Thomson, Hugh, 1860-1920
Finally, there is a third country, a country inhabited almost
exclusively by the sweetest little child-figures that have ever been
invented, in the quaintest and prettiest costumes, always happy, always
gravely playful,--and nearly always playing; always set in the most
attractive framework of flower-knots, or blossoming orchards, or
red-roofed cottages with dormer windows. Everywhere there are green
fields, and daisies, and daffodils, and pearly skies of spring, in which
a kite is often flying. No children are quite like the dwellers in this
land; they are so gentle, so unaffected in their affectation, so easily
pleased, so trustful and so confiding. And this is GREENAWAY-land.
It is sixty years since Thomas Stothard died, and only fifteen since
Randolph Caldecott closed his too brief career.[26] And now Kate
Greenaway, who loved the art of both, and in her own gentle way
possessed something of the qualities of each, has herself passed away.
It will rest with other pens to record her personal characteristics, and
to relate the story of her life. I who write this was privileged to know
her a little, and to receive from her frequent presents of her books;
but I should shrink from anything approaching a description of the
quiet, unpretentious, almost homely little lady, whom it was always a
pleasure to meet and to talk with. If I here permit myself to recall one
or two incidents of our intercourse, it is solely because they bear
either upon her amiable disposition or her art. I remember that once,
during a country walk in Sussex, she gave me a long account of her
childhood, which I wish I could repeat in detail. But I know that she
told me that she had been brought up in just such a neighbourhood of
thatched roofs and "grey old gardens" as she depicts in her drawings;
and that in some of the houses, it was her particular and unfailing
delight to turn over ancient chests and wardrobes filled with the
flowered frocks and capes of the Jane Austen period. As is well known,
she corresponded frequently with Ruskin, and possessed numbers of his
letters. In his latter years, it had been her practice to write to him
periodically--I believe she said once a week. He had long ceased,
probably from ill-health, to answer her letters; but she continued to
write punctually lest he should miss the little budget of chit-chat to
which he had grown accustomed. At another time--in a pleasant
country-house which contained many examples of her art--and where she
was putting the last touches to a delicately tinted child-angel in the
margin of a Bible--I ventured to say, "Why do your children always ...?"
But it is needless to complete the query; the answer alone is important.
She looked at me reflectively, and said, after a pause, "Because I
see it so."
Note:
[26] This was written in 1902.
Public-domain text, read in full here on John Shaqi.
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