English literature -- History and criticism; Greenaway, Kate, 1846-1901; Thomson, Hugh, 1860-1920
By this date, as will be gathered from what has preceded, Miss Greenaway
had made her mark as a producer of children's books, since, in addition
to the volumes already specially mentioned, she had issued _Under the
Window_ (her earliest success), _The Language of Flowers, Kate
Greenaway's Painting Book, The Book of Games, King Pepito_ and other
works. Her last "Almanack," which was published by Messrs Dent and Co.,
appeared in 1897. In 1891, the Fine Arts Society exhibited some 150 of
her original drawings--an exhibition which was deservedly successful,
and was followed by others.[28] As Slade Professor at Oxford, Ruskin,
always her fervent admirer, gave her unstinted eulogium; and in France
her designs aroused the greatest admiration. The _Debats_ had a leading
article on her death; and the clever author of _L'Art du Rire_, M.
Arsene Alexandre, who had already written appreciatively of her gifts as
a "_paysagiste_," and as a "_maitresse en l'art du sourire, du jolt
sourire_ _d'enfant inginu et gaiement candide_" devoted a column in the
_Figaro_ to her merits.
Note:
[28] Among other things these exhibitions revealed the great superiority
of the original designs to the reproductions with which the public are
familiar--excellent as these are in their way. Probably, if Miss
Greenaway's work were now repeated by the latest form of three-colour
process, she would be less an "inheritor"--in this respect--"of unfulfilled
renown."
It has been noted that, in her later years, Miss Greenaway's popularity
was scarcely maintained. It would perhaps be more exact to say that it
somewhat fell off with the fickle crowd who follow a reigning fashion,
and who unfortunately help to swell the units of a paying community. To
the last she gave of her best; but it is the misfortune of distinctive
and original work, that, while the public resents versatility in its
favourites, it wearies unreasonably of what had pleased it at
first--especially if the note be made tedious by imitation. Miss
Greenaway's old vogue was in some measure revived by her too-early death
on the 6th November 1901; but, in any case, she is sure of attention
from the connoisseur of the future. Those who collect Stothard and
Caldecott (and they are many!) cannot afford to neglect either _Marigold
Garden_ or _Mother Goose_.[29]
Note:
[29] Since the above article appeared in the _Art Journal_, from
which it is here substantially reproduced, Messrs. M.H, Spieimann and
G.S. Layard have (1905) devoted a sumptuous and exhaustive volume to
Miss Greenaway and her art. To this truly beautiful and sympathetic book
I can but refer those of her admirers who are not yet acquainted
with it.
A SONG OF THE GREENAWAY CHILD
As I went a-walking on _Lavender Hill_,
O, I met a Darling in frock and frill;
And she looked at me shyly, with eyes of blue,
"Are you going a-walking? Then take me too!"
Public-domain text, read in full here on John Shaqi.
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