English fiction -- 20th century; English wit and humor; Imaginary letters; Letters in literature
I was very angry, and spoke my mind. I said I thought it was most rash
and daring for an amateur to recite before professionals like Cicero
and Bassianus. I was really frightened, because Catullus’s verses are
either terribly long and serious--I have never been able to listen when
he reads them out; in fact, I always used to ask him to read to me when
I wanted to add up my bills mentally--or else they are short and quite
_impossible_.
He then turned scarlet, and said something about drawing-room
poetasters who wrote stuff fit for women, and, looking at Caesar, he
recited a short poem which was _dreadful_. I didn’t understand it all,
but I felt--and I am sure every one else felt--that he meant to be
rude. I sent him a small note by a slave, telling him that if he did
not know how to behave he had better leave the house. But I looked as
if I hadn’t noticed anything, and tried to treat it all as a joke. But
every one felt hot and uncomfortable.
I then ignored Catullus altogether, and devoted my whole attention to
Julius Caesar. I suppose it was that which really made him lose all his
self-control. He entirely forgot himself. He got up and said that, as
the company did not like comic verse, he had written a serious poem,
which he was quite certain would interest them. He had no wish, he
said (and for once in his life he was modest!), to rival such great
writers of verse, such masters of music and passion, as were Cicero
and Bassianus, but his verse, although it could not rival theirs in
art and inspiration, had at least the merit of truth and sincerity. He
said (and he almost shouted this) he was a plain man, who expressed
in the simplest possible words what were the common experiences of
every one, from the Senator to the man in the street. (So vulgar!) He
said his verses were about a woman (how could I ever have thought he
was a gentleman!) who was far-famed for her beauty, and still better
known for her heartlessness. She heightened her wickedness by the
supreme coquetry of pretending to be virtuous. She professed virtue
and practised vice. (He always was coarse.) He would not name her;
he would call her by a name which was colourless, namely, Lesbia. (Of
course every one knew he had written verses to me under that name!)
Then, looking me straight in the face, he recited a poem which was
_quite_, _quite_ impossible, with a _horrible_ word in it (at least
Lalage said it was horrible). Pollio came to the rescue, and said that
Catullus was ill, and dragged him out of the room. And in a way it was
true, for he was quite tipsy, and tears were rolling down his cheeks;
and I do hate drunken men, but, above all, I hate coarseness.
Public-domain text, read in full here on John Shaqi.
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