English fiction -- 20th century; English wit and humor; Imaginary letters; Letters in literature
With regard to the third series, the comedies, Mr. Fletcher states
that these plays, although not without considerable charm and while
containing many passages of graceful and melodious writing, are far
more in the nature of lyrical poems than of plays. Mr. Fletcher adds
that if these were also considerably reduced in length and rendered
even still more lyrical and accompanied by music, they might be
performed as masques or else in dumb show.
Finally, Mr. Fletcher suggests, if the author of these plays is anxious
that they should be performed, that your lordship should send the plays
to an experienced actor who should alter and arrange them for stage
presentation. Mr. Fletcher suggests that should your lordship see your
way to agree to this, he has in his company a player named William
Shakespeare who is admirably fitted for the undertaking, and who has
already had much experience in adapting and altering plays for the
stage.
I am,
Your lordship’s most obedient
and humble servant,
J. J. NICHOLS.
_Letter from Mr. Nichols to Lord Bacon_
My Lord,
In accordance with your lordship’s instructions I submitted the plays
to Mr. William Shakespeare. I am now in receipt of Mr. Shakespeare’s
full report on the plays.
Mr. Shakespeare confirms Mr. Fletcher’s opinion that the plays in their
present state are far too long for production. The religious series he
does not discuss, as being by their nature precluded from performance.
With regard to the historical tragedies, “Edward III,” “Mary Tudor,”
“Lady Jane Grey,” and “Katherine Parr” Mr. Shakespeare points out that
none of these plays would be passed by the Censor because they contain
many allusions which would be considered to touch too nearly, and give
possible offence to, certain exalted personages.
Public-domain text, read in full here on John Shaqi.
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