I received the printed copies of my four plays as arranged by Mr. Shakespeare. I would be much obliged if you would communicate to him the following instructions: (1) “Hamlet” may stand as it is. The whole nature of the play is altered, and the chief character is at present quite unintelligible, but if Mr. Shakespeare thinks that in its present form it will please an audience, he is at liberty to produce it, as it is not a piece of work for which I have any special regard, and it was written more as an exercise than anything else. (2) I cannot allow “Romeo and Juliet” to appear with the changed ending made by Mr. Shakespeare. Mr. Shakespeare is perhaps right in thinking that his version of the play, ending as it does with the marriage of Juliet and Paris and the reconciliation of Romeo and Rosaline, is more subtle and true to life, but in this matter I regard my knowledge of the public as being more sound than that of Mr. Shakespeare. As a member of the public myself, I am convinced that the public is sentimental, and would be better pleased by the more tragic and romantic ending which I originally wrote. (3) With regard to Mr. Shakespeare’s suggestion that in “Macbeth” the sleep-walking scene should fall to Macbeth, instead of to Lady Macbeth, I will not hear of any such change. (Confidential: The reason of my refusal is that this change seems to me merely dictated by the vanity of the actor, and his desire that the man’s part may predominate over the woman’s.) (4) “Titus Andronicus.” I have no objection to Mr. Shakespeare’s alterations. Your obedient servant, BACON. _Letter from Lord Bacon to Mr. Nichols_ Sir, I was present last night at the Globe Theatre at the performance of my play “Macbeth,” as produced by Mr. Shakespeare. I confess that I was much disgusted by the liberties which Mr. Shakespeare has taken with my work, which I am certain far exceed the changes and alterations which were originally presented to me, and which I myself revised and approved. For instance, Mr. Shakespeare has made a great many more omissions than he originally suggested. And at the end of many of the scenes he has introduced many totally unwarranted tags, such as, for instance: I’ll see it done. What he hath lost noble Macbeth hath won. And, worst of all: It is concluded:--Banquo, thy soul’s flight, If it find Heaven, must find it out to-night.