And so they were silent, and he, reclining on the cushions, watched her face and saw her smile and wondered what was passing in her mind to cause that smile. Doubtless it was something to do with the question of her disguising arts. What had caused her to smile was a happy memory of the days with Athelwold before their marriage, when one day he came in to her with a leather bag in his hand and said: Do you, who are so beautiful yourself, love all beautiful things? And do you love the beauty of gems? And when she replied that she loved gems above all beautiful things, he poured out the contents of his bag in her lap--brilliants, sapphires, rubies, emeralds, opals, pearls in gold setting, in bracelets, necklets, pendants, rings and brooches. And when she gloated over this splendid gift, taking up gem after gem, exclaiming delightedly at its size and colour and lustre, he told her that he once knew a man who maintained that it was a mistake for a beautiful woman to wear gems. Why? she asked, would he have then wholly unadorned? No, he replied, he liked to see them wearing gold, saying that gold makes the most perfect setting for a woman's beauty, just as it does for a precious stone, and its effect is to enhance the beauty it surrounds. But the woman's beauty has its meeting and central point in the eyes, and the light and soul in them illumines the whole face. And in the stone nature simulates the eye, and although without a soul its brilliant light and colour make it the equal of the eye, and therefore when worn as an ornament it competes with the eye, and in effect lessens the beauty it is supposed to enhance. He said that gems should be worn only by women who are not beautiful, who must rely on something extraneous to attract attention, since it would be better to a homely woman that men should look at her to admire a diamond or sapphire than not to look at her at all. She had laughed and asked him who the man was who had such strange ideas, and he had replied that he had forgotten his name. Now, recalling this incident after so long a time, it all at once flashed into her mind that Edgar was the man he had spoken of; she knew now because, always secretly watchful, she had noted that he never spoke of Edgar or heard Edgar spoken of without a slight subtle change in the expression of his face, also, if he spoke, in the tone of his voice. It was the change that comes into the face, and into the tone, when one remembers or speaks of the person most loved in all the world. And she remembered now that he had that changed expression and tone of voice, when he had spoken of the man whose name he pretended to have forgotten.