Dead Man's Plack and an Old ThornHudson, W. H. (William Henry)
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Dead Man's Plack and an Old Thorn
Hudson, W. H. (William Henry)
Ælfthryth, queen consort of Edgar, 945?-1000
Now in spite of those moments, or even hours, of elation, during which
her mind would recover its old independence until the sense of freedom
was like an intoxication; when she cried out against God that he was
cruel and unjust in his dealings with his creatures, that he had raised
up and given power to the man who held the rod over her, one who in
God's holy name had committed crimes infinitely greater than hers, and
she refused to submit to him--in spite of it all she could never shake
off the terrible thought that in the end, at God's judgment seat, she
would have to answer for her own dark deeds. She could not be free of
her religion. She was like one who tears a written paper to pieces and
scatters the pieces in anger to see them blown away like snow-flakes on
the wind; who by and by discovers one small fragment clinging to his
garments, and looking at the half a dozen words and half words appearing
on it, adds others from memory or of his own invention. So she with what
was left when she thrust her religion away built for herself a different
one which was yet like the old; and even here in this solitude she was
able to find a house and sacred place for meditation and prayer, in
which she prayed indirectly to the God she was at enmity with. For now
invariably on returning from her ride to her house at Amesbury she would
pay a visit to the Great Stones, the ancient temple of Stonehenge.
Dismounting, she would order her attendants to take her horse away and
wait for her at a distance, so as not to be disturbed by the sound of
their talking. Going in she would seat herself on the central or altar
stone and give a little time to meditation--to the tuning of her mind.
That circle of rough-hewn stones, rough with grey lichen, were the
pillars of her cathedral, with the infinite blue sky for roof, and for
incense the smell of flowers and aromatic herbs, and for music the
far-off faintly heard sounds that came to her from the surrounding
wilderness--the tremulous bleating of sheep and the sudden wild cry of
hawk or stone curlew. Closing her eyes she would summon the familiar
image and vision of the murdered boy, always coming so quickly, so
vividly, that she had brought herself to believe that it was not a mere
creation of her own mind and of remorse, a memory, but that he was
actually there with her. Moving her hand over the rough stone she would
by and by let it rest, pressing it on the stone, and would say, Now I
have your hand in mine, and am looking with my soul's eyes into yours,
listen again to the words I have spoken so many times. You would not be
here if you did not remember me and pity and even love me still. Know
then that I am now alone in the world, that I am hated by the world
because of your bitter death. And there is not now one living being in
the world that I love, for I have ceased to love even my own boy, your
old beloved playmate, seeing that he has long been taken from me and
taught with all others to despise and hate me.
Public-domain text, read in full here on John Shaqi.
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