Dead Man's Plack and an Old ThornHudson, W. H. (William Henry)
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Dead Man's Plack and an Old Thorn
Hudson, W. H. (William Henry)
Ælfthryth, queen consort of Edgar, 945?-1000
She was not dead. She recovered from that swoon, but never from the
deep, unbroken sadness caused by those last words of the maid Editha,
which had overcome and nearly slain her. She now abandoned her
seclusion, but the world she returned to was not the old one. The
thought that every person she met was saying in his or her heart: This
is Elfrida; this is the queen who murdered Edward the Martyr, her
step-son, made that world impossible. The men and women she now
consorted with were the religious and ecclesiastics of all degrees, and
abbots and abbesses. These were the people she loved least, yet now into
their hands she deliberately gave herself; and to those who questioned
her, to her spiritual guides, she revealed all her life and thoughts and
passions, opening her soul to their eyes like a manuscript for them to
read and consider; and when they told her that in God's sight she was
guilty of the murder both of Edward and Athelwold, she replied that they
doubtless knew best what was in God's mind, and whatever they commanded
her to do that should be done, and if in her own mind it was not as they
said this could be taken as a defect in her understanding. For in her
heart she was not changed, and had not yet and never would learn the
bitter lesson of humility. Furthermore, she knew better than they what
life and death had in store for her, since it had been revealed to her
by holier lips than those of any priest. Lips on which had been laid a
coal from the heavenly altar, and what they had foretold would come to
pass--that unearthly pilgrimage and purification--that destiny,
dreadful, ineluctable, that made her soul faint to think of it. Here, on
this earth, it was for her to toil, a slave with heavy irons on her
feet, in her master's fields and pleasure-grounds, and these gowned men
with shaven heads, wearing ropes of beads and crucifixes as emblems of
their authority--these were the taskmasters set over her, and to these,
she, Elfrida, one time queen in England, would bend in submission and
humbly confess her sins, and uncomplainingly take whatever austerities
or other punishments they decreed.
Here, then, at Amesbury itself, she began her works of expiation, and
found that she, too, like the unhappy man in the parable, could
experience some relief and satisfaction in her solitary embittered
existence in the work itself.
Having been told that at this village where she was living a monastery
had existed and had been destroyed in the dreadful wars of two to three
centuries ago, she conceived the idea of founding a new one, a nunnery,
and endowing it richly, and accordingly the Abbey of Amesbury was built
and generously endowed by her.
This religious house became famous in after days, and was resorted to by
the noblest ladies in the land who desired to take the veil, including
princesses and widow queens; and it continued to flourish for centuries,
down to the Dissolution.
Public-domain text, read in full here on John Shaqi.
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