There it hung now, scarcely to be seen for cobwebs. Its hour had
come at last. Even as I stretched out my hand a dozen horrid things
hurried tumultuously back into darkness. Even as I laid my hand on
it, a big ungainly spider, scared but half incredulous, started in
alarm, hesitated, and finally made off at full speed for shelter.
This, then, was the key that should unlock the treasure--this,
that had from the first hung over us, the one uncleansed spot in
Lantrig: this was the talisman--this grimy thing lying in my hand.
The spiders had been jealous in their watch.
Stepping down, I got a cloth and brushed away the cobwebs. The key
was covered thickly with rust, but even so I could see that something
was written upon it. For about a minute I stood polishing it, and
then carried it forward to the light.
Yes, there was writing upon it, both on the handle and along the
shaft--writing that, as it shaped itself before my eyes, caused them
to stare in wrathful incredulity, caused my heart to sink at first in
dismay and then to swell in mad indignation, caused my blood to turn
to gall and my thoughts to very bitterness. For this was what I
read:--
On the handle were engraved in large capitals the initials A. T.
with the date MDCCCXII. Alone the shaft, from handle to wards, ran
on either side the following sentence in old English lettering:--
THY HOUSE IS SET UPON THE SANDS AND THY HOPES BY A DEAD MAN.
This was all. This short sentence was the sum of all the vain quest
on which my father had met his end. "Thy house is set upon the
sands," and even now had crumbled away beneath Amos Trenoweth's curse
"Thy hopes by a dead man," and even now he on whom our hopes had
rested, lay upstairs a pitiful corpse. Was ever mockery more
fiendish? As the full cruelty of the words broke in upon me, once
again I seemed to hear the awful cry from the sea, but now among its
voices rang a fearful laugh as though Amos Trenoweth's soul were
making merry in hell over his grim jest--the slaughter of his son and
his son's wife.
White with desperate passion, I turned and hurled the accursed key
across the room into the blazing hearth.
END OF BOOK I.
BOOK II.
THE FINDING OF THE GREAT RUBY.
CHAPTER I.
TELLS HOW THOMAS LOVEDAY AND I WENT IN SEARCH OF FORTUNE.
Seeing that these pages do not profess to be an autobiography, but
rather the plain chronicle of certain events connected with the Great
Ruby of Ceylon, I conceive myself entitled to the reader's pardon if
I do some violence to the art of the narrator, and here ask leave to
pass by, with but slight allusion, some fourteen years. This I do
because the influence of this mysterious jewel, although it has
indelibly coloured my life, has been sensibly exercised during two
periods alone--periods short in themselves, but nevertheless long
enough to determine between them every current of my destiny, and to
supply an interpretation for my every action.
Public-domain text, read in full here on John Shaqi.
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