Dead-sea fruit, Vol. 1 (of 3)Braddon, M. E. (Mary Elizabeth)
General
Dead-sea fruit, Vol. 1 (of 3)
Braddon, M. E. (Mary Elizabeth)
English fiction -- 19th century
There was no more to be said. Eustace thanked Mrs. Willows for her
compliance with his wishes, and took his departure. He went out into
the High Street of Bayham very little wiser than when he had entered
the prosperous emporium of Kimber and Willows. He walked slowly along
the quiet street, and found himself by and by on the outskirts of the
town, strolling onward in an objectless manner, and meditating upon his
mother’s broken story.
When he paused for the first time to look about him he was face to face
with the sea. Behind him a terrace of white houses reflected the full
blaze of the southern sun. Before him lay the bay--a wide expanse of
tawny sand, with pools of sunlit water glimmering here and there.
The tide was low, and the sandy amphitheatre lay open to the foot of
the pedestrian. On one side of the bay rose a tall cliff; on the other
a stretch of sand lay beyond the jutting line of rocks. Eustace crossed
the bay in this direction. He wanted to see the place in which Celia
Mayfield had walked with her false lover, and he knew that this lonely
stretch of sand beyond the rocks must be the spot alluded to in his
father’s letters, and mentioned that day by Mrs. Willows.
It was a fit spot for a lovers’ trysting-place--remote from the voices
of the little town, and yet within the sound of church-bells, which
took a silvery tone as they floated hitherward across the rippling
water. Summer visitors to Bayham rarely penetrated beyond the screen of
rocks which sheltered the bay, and this smooth stretch of sand was not
often invaded by the spades and barrows of noisy children or the feet
of idle damsels. It was an enchanted cove, which might have been sacred
to the sea-nymphs, so seldom did human creatures disturb its poetic
calm.
Here Eustace lingered for some time, still meditating the story of his
mother’s youth, and with strangely intermingled feelings of tenderness
and anger in his heart. How could he ever think of _her_ with
sufficient love and pity? How could he ever think of her destroyer
without considering how he should avenge her wrongs?
“So trusting, so childlike, and deceived so cruelly! What a villain he
must have been! what an unutterable villain!” thought Celia’s son,
as he contemplated the scene of his mother’s love-story. It should
have been such a sweet idyll--a modern fairy tale of rustic beauty and
princely truth and chivalry--and it had been instead so dark a history
of falsehood and shame.
Public-domain text, read in full here on John Shaqi.
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