Dead-sea fruit, Vol. 1 (of 3)Braddon, M. E. (Mary Elizabeth)
General
Dead-sea fruit, Vol. 1 (of 3)
Braddon, M. E. (Mary Elizabeth)
English fiction -- 19th century
To this man’s quiet home Harold Jerningham came sometimes as to a haven
of shelter. He was wont to drop in upon the modest Berkshire household
unexpectedly, with the bronze of an Oriental sun still upon his face,
or a fur coat, in which he had travelled from St. Petersburgh, hanging
loosely on his arm. He came hither for rest, for a brief interval of
repose from “the fever called living;” and it was here, in the house
that had been built for his great-grandfather’s bailiff, that the owner
of three country-seats and an almost inexhaustible revenue found the
nearest approach to happiness which he had experienced during the last
twenty years.
Eustace Thorburn’s arrangements for beginning his new life were of the
simplest order. He found a letter from M. de Bergerac waiting for him
on his return to London--such a letter as only a gentleman can write--a
letter which placed the secretary at once on the footing of a friend,
and gave him promise of friendly welcome.
The young man spent the last night of his stay in London with Daniel
Mayfield. The uncle and nephew dined together at one of those snug
little haunts which the literary Bohemian affected, and Daniel’s soul
expanded under the influence of Chambertin at nine shillings a bottle.
He had received a cheque in payment of his latest Massacre of the
Innocents in the way of reviewing, and it was in vain that Eustace
tried to arrest his extravagant orders.
“The best you can do for us in the shape of dinner, Tom,” he
said to the waiter, with whom he was on the familiar terms of an
_habitué_; “and--let me see the wine-card: yes, Dancer sticks to
his old prices, I perceive. What nethermost circle can that man expect
to inhabit in the under world, I wonder? Johannisberg with the oysters,
Tom: if you were well up in your Charles de Bernard, you would be aware
that Chablis is the mistake of the half-educated diner. After the
soup you may give us a bottle of the old Madeira--_the_ Madeira,
remember--no modern French concoction, flavoured with burnt-sugar.
We will not go into sparkling, Tom--sparkling is the luxury of the
vulgar; wines that leap and bubble are the pet delusion of the _oi
polloi_; we will therefore confine ourselves to the borders of the
Rhine. If your still Moselle is worthy of a gentleman’s attention, you
may bring us a bottle. The Chambertin I know to be tolerable; so after
dinner we will stick to _that_.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account