Dead-sea fruit, Vol. 3 (of 3)Braddon, M. E. (Mary Elizabeth)
General
Dead-sea fruit, Vol. 3 (of 3)
Braddon, M. E. (Mary Elizabeth)
English fiction -- 19th century
Mr. Desmond departed to get his hat bound with the insignia of grief.
Mrs. Jerningham went back to the parlour, where the orphan sat with
listless hands loosely locked, and vacant, tearless eyes, lost in a
stupor of grief. But even in this stupor she had recognized the voice
of her dead father’s only friend.
“Was not that Mr. Desmond in the passage just now?” she asked.
“Yes; he has come down to attend his old friend’s funeral.”
“How good of him! How kind you both are to me!” murmured Lucy. “Oh,
believe me, I am grateful. And yet, dear Mrs. Jerningham, I feel as if
it would be better for me to be going to lie by _his_ side in that
peaceful grave.”
“No, Lucy. Your life is all to come. You have known sorrow and trouble;
but you have not drained the cup of happiness only to find the
bitterness of the draught. _That_ is real despair. You have not
outlived your hopes, and your dreams and your faith--nay, indeed, your
very self--as I have.”
CHAPTER IV.
THE MORLAND COUGH.
LAURENCE DESMOND heard the sublimely solemn service read above his old
tutor’s coffin, and left Ventnor without seeing Lucy Alford. Again and
again he told himself that with the orphan girl’s future fate he had
no concern. He had given her a good friend--and a friend of her own
sex--who would doubtless afford her help and protection, directly or
indirectly, in the future.
“She has passed out of my life,” he said to himself; “poor little
thing! Let me forget that I ever saw her.”
When Mr. Desmond paid his next visit to River Lawn he found Lucy
comfortably installed there, and looking pale as the snowdrops in her
simple mourning. She said a few tremulous words in answer to his gentle
greeting, and then left the room.
“She does not like to talk of her father,” Mrs. Jerningham said, when
she was gone; “and I dare say she has run away to escape your possible
condolences. He seems on the whole to have been rather a worthless
person, but she mourns him as if he had been a saint. ‘We were so
happy together,’ she says; and then she tells me of his interest in
her career, and the patience with which he would sit in the boxes
night after night to see her act, and then would tell her the points
in which she failed, and the points in which she succeeded, and
lament the impossibility of her wearing a mask, with some dreadful
pipe or mouthpiece, like the Greek actors; and she tells me of their
cosy little suppers after the theatre, pettitoes--WHAT are
pettitoes?--and baked potatoes, and sausages, and other dreadful things
which it would be certain death for persons in society to eat; and
so the poor child runs on. She is the most affectionate, grateful
creature I ever met, and I think she is beginning to love me.”
“She has reason to do so,” replied Mr. Desmond. “I suppose she will be
obliged to go on the stage again. I have a promise of an engagement for
her from my friend Hartstone.”
Public-domain text, read in full here on John Shaqi.
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