Dead-sea fruit, Vol. 3 (of 3)Braddon, M. E. (Mary Elizabeth)
General
Dead-sea fruit, Vol. 3 (of 3)
Braddon, M. E. (Mary Elizabeth)
English fiction -- 19th century
Ruthlessly does that lady perform her appointed duty. Loud are her
expressions of wonder at the triumphs of _some_ people; her
bewilderment on perceiving the superb attire which _some_ people
can procure out of a pittance of two guineas per week; her regret
that on the occasion of _her_ benefit the 17th Prancers had held
themselves disdainfully aloof from the theatre, though her Lady Douglas
_had_ been compared to the performance of the same character by
the great Siddons, and by judges _quite_ as competent as the
Prancers; and anon, in the next breath, her inconsistent avowal of
thankfulness to Providence that her dress-circle had been empty, rather
than filled as was the dress-circle of Mademoiselle Pasdebasque.
Lucy thought of Mrs. M’Grudder, who had at divers times taken upon
herself the chaperonage of some timid young aspirant, and beneath whose
ample wing, if rumour was to be trusted, the hapless neophyte had known
a hard time. No, the dramatic profession at best had its trials; but
life spent in the companionship of Mrs. M’Grudder would have been too
bitter a martyrdom.
This was the beginning of the end of Miss Alford’s professional career.
She had pondered much upon Laurence Desmond’s evident dislike to her
position, and had taken that dislike deeply to heart. The glamour was
fast fading from the fairy dream of her childhood. She had played at
Electra and Antigone--she had stood before her looking-glass, inspired,
and radiant with passionate emotion, fancying herself Juliet or
Pauline; and all her dreams had ended in--a page’s dress, and a foolish
comic song.
Mrs. Jerningham’s influence speedily completed the work of
disenchantment; and before Tristram Alford had been dead a month, his
daughter had bidden farewell to the stage--in no brilliant apotheosis
of bouquets and clamorous chorus of enraptured dramatic critics,
eloquent as Pythoness on tripod, but in the sad silence of her own
lonely chamber. She had said her doleful good-bye to the dreams of
her youth, and had begun the practical career of a woman who stands
quite alone in the world, and who has no hope save in her own patient
industry.
“If I had any one to work for,” she thought, sadly, “it would not seem
hard to me. But to toil and drudge in order that I may prolong my
lonely life, and with no other end or aim----!”
Public-domain text, read in full here on John Shaqi.
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