Deadly Adulteration and Slow Poisoning Unmasked: Disease and Death in the Pot and BottleAnonymous
Science
Deadly Adulteration and Slow Poisoning Unmasked: Disease and Death in the Pot and Bottle
Anonymous
Drug adulteration; Food adulteration and inspection
But Dr. Henderson says, in his learned work, entitled “The History of
Ancient and Modern Wines,” p. 342, that the simple test pointed out to
him by his friend Dr. Prout is equally satisfactory, and may be applied
either to red or white wines. “On adding ammonia to wines, which had
the appearance of being genuine, he observed that the precipitate was
of an olive green colour; shewing the analogy between the colouring
principle and the vegetable blues, most of which are rendered red by
acids, and green by alkalis. This conjecture is, in some measure,
confirmed by the recent discovery of M. Breton, professor of chemistry
in Paris, with respect to the cause of that disorder in wines known
by the name of _tournure_. Wine thus affected acquires a disagreeable
taste and smell, loses its red colour, and assumes a dark violet hue,
which changes are found to proceed from the presence of carbonate of
potash, in consequence of the decomposition of the tartar contained in
the liquor. To restore the natural colour and flavour, if the disease
be not of long standing, it is only necessary to add a small quantity
of tartaric acid, which, combining with the potash, forms cream of
tartar, as is shown by the subsequent deposition of crystals. Revue
Encyclopedique, November, 1823. In genuine wines, the colouring matter
seems to partake of the character of a lake, partly held in solution
by the excess of acid present, and partly combined with the earthy
phosphates; for, in the precipitates obtained from these wines by means
of ammonia, it appears in union with the triple phosphate of magnesia.
Even the white wines of Xeres, Madeira, and Teneriffe, exhibit this
mixed precipitate; their colouring matter being probably derived from
the red grapes which enter into their composition. In fictitious wines,
on the other hand, such as those procured from the black currant,
gooseberry, orange, &c. the last mentioned salt was thrown down by
ammonia, but more gradually, in less quantities, and without any
admixture.”
The method of ascertaining the strength, or quantity of spirit or
alcohol in wines is by the following process, for the discovery of
which the public is indebted to Mr. Brande.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account