Death and resurrection from the point of view of the cell-theory — John Shaqi
Death and resurrection from the point of view of the cell-theoryBjörklund, Gustaf
Religion
Death and resurrection from the point of view of the cell-theory
Björklund, Gustaf
Biology; Future life
From the previous chapter we now draw the extremely important conclusion
that all organic matter is a _product of art_, that is, a product which
the forces of nature cannot produce. Spontaneously these forces only
create natural products. Products of art belong to an entirely different
category; they owe their existence to a foreign interference in the
natural order of the world and have a cause that does not fall within
the limits of a mere mechanical causality. But before we discuss this
subject, let us first thoroughly understand what we mean by saying that
organic matter is a product of art.
Materialists have shown that the organism closely resembles a steam
engine, but they have neglected to point out that the similarity extends
also to the mode in which they are produced. Everybody is probably
convinced that the forces of nature have never made and never will make a
steam engine. If the same might be said in regard to the machines which
we call organisms, then materialism would be disproved. But why, to begin
with, cannot the forces of nature build steam engines? We must be able to
present the reasons for this statement.
If we first consider the building material, we find this in the factories
in the form of plates, bars and ingots of iron, copper, lead, tin, etc.
Where do these metals come from? Nowhere in nature is such material
found.[2]
Humanity had inhabited the earth thousands of years without having an
idea of the existence of such substances as iron, copper, lead, etc. The
metals are chemical ingredients in our minerals and from these minerals
they are extracted by complicated, artificial processes. The ore is often
lifted out of the depths of the mountains; it goes through a series of
treatments which the forces of nature cannot spontaneously undertake. We
will here give only a moment’s attention to the process of reduction, or
the separation of the metal from its natural compounds. This, as we know,
is done in our blast furnaces, where the iron is reduced through the
presence of coal and other suitable substances in certain proportions.
If we now remember that the heat in our furnaces often reaches about
2000° Centigrade we see at once that the sun may shine on our mountains
throughout eternity without ever producing the temperature necessary for
the reduction.
But the engine is not yet completed. The plates must be first rolled and
shaped, the ingots must be melted and cast into frames, shafts, bearings,
etc.; in short, the raw material must be formed into all those numerous
parts of which the machine is composed. The engine is from beginning to
end a product of art.
Public-domain text, read in full here on John Shaqi.
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