They had crossed the road outside Bushey Park and entered the palace
gates. Between the wall which backs the Long Border, the Tudor side
of the palace and another long high wall, is the Wilderness, or old
English garden, composed on the grandiose scale advocated by Bacon. It
is both a garden and a “wilderness,” in the sense that it is planted
with innumerable bulbs (which are thinned and removed from time to
time), but otherwise allowed to run wild. George and Elizabeth stopped
with that sudden ecstasy of delight felt by the sensitive young—a
few of them—at the sight of loveliness. Great secular trees, better
protected than those in the outer Park, held up vast fans of glittering
green and gold foliage which trembled in the light wind and formed
moving patterns on the tender blue sky. The lilacs had just unfolded
their pale hearts showing the slim stalk of closed buds which would
break open later in a foam of white and blue blossoms. Underfoot was
the stouter green of wild plants, spread out like an evening sky of
verdure for the thick clustered constellations of flowers. There shone
the soft slim yellow trumpet of the wild daffodil; the daffodil which
has a pointed ruff of white petals to display its gold head; and the
more opulent double daffodil which, compared with the other two, is
like an ostentatious merchant between Florizel and Perdita. There
were the many-headed jonquils, creamy and thick-scented; the starry
narcissus, so alert on its long slender stiff stem, so sharp-eyed, so
unlike a languid youth gazing into a pool; the hyacinth-blue frail
squilla almost lost in the lush herbs; and the hyacinth, blue and
white and red, with its firm thick-set stem and innumerable bells
curling back their open points. Among them stood tulips—the red,
like thin blown bubbles of dark wine; the yellow more cup-like, more
sensually open to the soft furry entry of the eager bees; the large
parti-coloured gold and red, noble and sombre like the royal banner of
Spain.
English spring flowers! What an answer to our ridiculous “cosmic woe,”
how salutary, what a soft reproach to bitterness and avarice and
despair, what balm to hurt minds! The lovely bulb-flowers, loveliest of
the year, so unpretentious, so cordial, so unconscious, so free from
the striving after originality of the gardener’s tamed pets! The spring
flowers of the English woods, so surprising under those bleak skies,
and the flowers the English love so much and tend so skilfully in the
cleanly wantonness of their gardens, as surprisingly beautiful as the
poets of that bleak race! When the inevitable “fuit Ilium” resounds
mournfully over London among the appalling crash of huge bombs and
the foul reek of deadly gases while the planes roar overhead, will
the conqueror think regretfully and tenderly of the flowers and the
poets...?
* * * * *
Public-domain text, read in full here on John Shaqi.
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