Death, the Knight, and the Lady: A Ghost Story — John Shaqi
Death, the Knight, and the Lady: A Ghost StoryStacpoole, H. De Vere (Henry De Vere)
Science
Death, the Knight, and the Lady: A Ghost Story
Stacpoole, H. De Vere (Henry De Vere)
Fiction
Miss Geraldine breakfasted an hour ago alone in her wing of the house;
Miss Geraldine sent her compliments, and wanted to know if I would
visit her in her own rooms after I had finished breakfast.
He might take Miss Geraldine my compliments, and say that I would have
much pleasure in doing so. He had better go at once. No, I required no
more coffee.
He went.
Her compliments, indeed, and her wing of the house, I wonder why
she didn't send her card. Yes, I would visit her just as often as I
pleased--yet I would not if my visits didn't please. No, in that case I
would drown myself in the moat, but there was no moat; well, in the big
bath upstairs. And the way the old butler said, "Miss Geraldine" quite
calmly, though he knows Miss Geraldine is a boy; and she is a boy,
and she ought to be smacked for being such a prig. But why smack her
when it's not her fault? No, it's James Wilder and the old butler that
require smacking, and still--and still, these two old fools between
them have produced, or helped to produce, this weird child, just as she
is; and in all God's earth she is the most beautiful thing, and the
most strange. She is like a thing made of mist, yet she is real; she is
a ghost, yet one can touch her. What is she--what is he--who am I--I
don't know--I don't want to know. Ha! I felt just then the claws of the
little falcon pinching my wrist.
That was the jumbling kind of stuff that ran through my head as I
breakfasted; then, when I had finished, instead of going at once to
find Geraldine's wing of the house, I hung about the room looking at
the pictures, putting off my visit just as a person puts off a bite at
a peach. At last I came.
I seemed to know the way by instinct; there was no placard with "To
Geraldine" on it, but I found Geraldine for all that. I crossed the
hall and passed the picture gallery scarcely looking at the door. Then
I lifted a heavy corded silk curtain, and found myself in a corridor.
Upon my word, I thought I was in the Arabian Nights. Each side of the
corridor was panelled, and on the cream white panels were painted
flowers,--it was a regular flower-garden of painting. The roof was
white, with coloured windows, each made in the shape of a fan. These
stained glass fans were the prettiest things in the way of windows I
had ever seen--so I thought. The corridor ended in a heavy curtain like
the one at the other end; two doors stood on each side of the curtain.
I chose the right hand door, for I guessed it belonged to the room she
was in. I was right. I knocked. A voice cried, "Come in," and in I came.
Public-domain text, read in full here on John Shaqi.
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