Death, the Knight, and the Lady: A Ghost Story — John Shaqi
Death, the Knight, and the Lady: A Ghost StoryStacpoole, H. De Vere (Henry De Vere)
Science
Death, the Knight, and the Lady: A Ghost Story
Stacpoole, H. De Vere (Henry De Vere)
Fiction
This was, then, the Gables, this great old-fashioned gloomy house, with
a broad portico supported on fluted granite pillars, facing the broad
park dotted with clumps of trees, so broad and so far-reaching that the
deer in the furthermost parts were reduced to moving specks.
The door was opened by an ill-looking servant-maid, whose sour and
crabbed face struck an unpleasant note against the old-fashioned and
romantic surroundings.
The great hall, oak-panelled, and lit by stained glass windows, hid
amongst its other treasures an echo, whose dreamy voice repeated my
footsteps with a sound like the pattering of a ghost. I stood for a
moment, my heart absorbing the silence of this place, so far removed
from the spirit of to-day. The air held something, I know not what, it
seemed like an odour left from the perfumed robes of Romance.
I heard a sound behind me, and turning, I saw an old servant man with
silvery white hair. He showed me to my room, and I kept him whilst I
explained fully my business.
He listened respectfully, but like a person who had ceased to take any
interest in life. When I had finished, I asked him to take me to the
room where the dead person lay.
He led the way down a corridor, opened a door, and stood aside whilst
I entered. I found myself in a bedroom hung with rose-coloured silk;
the window was open, and through it came the warm evening breeze and
the far-off cawing of rooks.
On the bed I saw a form, but I could scarcely believe that what I saw
was real. Stretched upon the snow-white coverlet lay the body of a
cavalier, full-dressed in amber satin doublet and long buff-coloured
riding-boots, his hair long, curling, and black as night, surrounded a
face pale as marble and beautiful as a woman's. His white right hand,
peeping from its lace ruffle, grasped the hilt of a sword, his left
hand grasped a silver trumpet. Attached to the trumpet a crimson silk
cord streaked the coverlet like a thin and tortuous stream of blood.
He seemed to have stepped from the pages of romance, and to have laid
himself down here to rest. I trembled as I looked, feared to stir lest
he should wake, yet I well knew him to be dead. I might have fancied
myself in a dream but for the far-off clamour of the rooks coming
through the evening sky outside and the sound of my own heart beating.
Was it a man? was it a woman? the face might have done for either, yet
it was the most beautiful face I had ever beheld, the most romantic,
the most pathetic. Then recollection woke up, and I shuddered. This,
then, was Sir Gerald Wilder. This form, more beautiful than a picture,
was the sorrow of James Wilder, the thing that had driven him to opium,
the thing that had broken his heart and crowned him with premature old
age. How? Why? I dared scarcely think.
I stole from the room. In the passage I found the old man-servant
waiting for me; he shut the door softly, and I followed him back to my
own room. There I took his arm and looked in his face.
Public-domain text, read in full here on John Shaqi.
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