The following day the hammering and painting began. The joiner and his men set up a workshop on the lower floor; above, the great brush of the painter kept unwearyingly passing and repassing over the walls, and white figures, with great aprons, carried buckets now up, now down. As for Karl, he seemed to have a dozen hands. Whenever he could get away from the farm, he painted woodwork and walls with all sorts of brushes. He ran round with a foot-measure, drove in nails and hooks for curtains, and the very next moment there he was again in the field or the stable, but every where whistling his soldier's songs and urging on the laborers. As the arrangements of the house progressed, his love of beautifying became more and more developed. He bought a quantity of oil-paint, which he found excellent, and displayed a decided talent for the art. He now ventured to give to several objects, which seemed to him qualified to receive it, the appearance of finely-polished wood, and, with the aid of a soft brush and a bunch of feathers, succeeded in producing wonderful effects. He even carried his brush and his beautifying into the farm-yard, and teased Anton into consenting to a general whitewashing of the mud walls. "They will dry in this weather just as well as in summer," said he. "My only regret is, that I can't wash the straw thatch." To make up for that, however, he was determined to give the two new potato-carts and the best plow a coating of beautiful blue oil-paint. "One must have something pleasant for the eye to rest on here," said he, by way of apology. "And it will pay for itself, for these Poles get on better with gayly-colored things."