Debit and Credit: Translated from the German of Gustav FreytagFreytag, Gustav
General
Debit and Credit: Translated from the German of Gustav Freytag
Freytag, Gustav
German fiction -- Translations into English; Mercantile system -- Germany -- Fiction; Social classes -- Germany -- Fiction
And Anton did go on, and did his Mentor honor. He was indeed
intoxicated, but not with wine. The music, the excitement of the dance,
the gay scene around, inspired him; he felt self-confident, nay,
daring; and, one or two trifling solecisms excepted, behaved as if he
had been surrounded by waxlights and obsequious domestics all the days
of his life. He was a good deal remarked--made, indeed, quite a
sensation; while dark hints of a mystery attached to him spread from
corner to corner of the spacious rooms.
At length came the cotillon. Anton sought out Lenore, who exclaimed, "I
knew that you would dance it with me!" This was to both the happiest
part of the whole happy evening.
As to all that followed, it was a mere indistinct vision. Anton was
dimly conscious of walking about with Fink, of talking and laughing with
him and others, of bowing before the lady of the house, and murmuring
his thanks; of having his paletot reached him by a servant, and of
putting something into his hand; but all this was shadowy and unreal. He
only saw one thing clearly: a white cloak, with a silk hood and a
tassel--oh, that tassel! Once more the large eyes shone full upon him,
and he heard the whispered words, "Good-night!" Then came an
uninteresting dream of going up stairs with Fink, and but half hearing
his jesting comments; of entering a small room, lighting a lamp, and
wondering whether it was really here he lived; of slowly undressing, and
at length falling asleep.
CHAPTER XI.
Since the important evening above described, the dancing-lessons had
gone on regularly, and Anton, having got over the purgatory of the first
introduction, began to feel perfectly at home. Indeed, he became a
useful member of the association, and was a pattern of assiduity and
punctuality, and a striking contrast to Fink, who horrified the
dancing-master by declaring that the _galop_ step was fitted for every
and all dances alike, and by waltzing in the most eccentric orbits
conceivable.
The fact was, Anton was so happy that his transfigured aspect struck
both the young and the old ladies, confirming the former in their
conviction that he was good and true-hearted, and the latter in theirs,
that he was a prince in disguise. He himself best knew the secret of his
bliss. Every thought of his loyal heart revolved around its absolute
mistress. All dances or conversations with others he looked upon as
more flourishes surrounding her name; neither was he without his
reward. She soon treated him like an old friend; and, whenever she
entered the room, it was not till she had discovered his brown curls
among the circle that she felt at home in the brilliant assembly.
It is, however, a melancholy fact, that destiny never long permits a
child of earth to feel his whole nature and circumstances strung up to
their utmost sweetness and power. It invariably contrives to let down
some string while winding up another. Hence arises a discord, such as
Anton was now called upon to experience.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account