English fiction -- 20th century; English poetry -- 20th century; Short stories, English; World War, 1914-1918 -- Fiction
“Ah! His gesture then! He gave a dramatic start--this Cyrano of the
Camargue--as though he was aware of them for the first time. He moved.
All their beautiful breeches twinkled for an instant along the top
of the barrier. He held the stage alone! But Christophe and I, we
trembled! For, observe, he had now involved himself in a stupendous
drama of which he only could supply the third act. And, except for an
audience on the razor-edge of emotion, he had exhausted his material.
Molière himself--we have forgotten, my friend, to drink to the health
of that great soul--might have been at a loss. And Tragedy is but a
step behind Failure. We could see the four or five Civil Guards, who
are sent always to keep order, fingering the breeches of their rifles.
They were but waiting a word from the Mayor to fire on him, as they do
sometimes at a bull who leaps the barrier among the spectators. They
would, of course, have killed or wounded several people--but that would
not have saved Apis.”
Monsieur Voiron drowned the thought at once, and wiped his beard.
“At that moment Fate--the Genius of France, if you will--sent to
assist in the incomparable finale, none other than Chisto, the
eldest, and, I should have said (but never again will I judge!) the
least inspired of all; mediocrity itself but, at heart--and it is
the heart that conquers always, my friend--at heart an artist. He
descended stiffly into the arena, alone and assured. Apis regarded
him, his eyes in his eyes. The man took stance, with his cloak, and
called to the bull as to an equal: ‘Now, Señor, we will show these
honourable caballeros something together.’ He advanced thus against
this thinker who at a plunge--a kick--a thrust--could, we all knew,
have extinguished him. My dear friend, I wish I could convey to you
something of the unaffected bonhomie, the humour, the delicacy, the
consideration bordering on respect even, with which Apis, the supreme
artist, responded to this invitation. It was the Master, wearied after
a strenuous hour in the atelier, unbuttoned and at ease with some
not inexpert but limited disciple. The telepathy was instantaneous
between them. And for good reason! Christophe said to me: ‘All’s well.
That Chisto began among the bulls. I was sure of it when I heard him
call just now. He has been a herdsman. He’ll pull it off.’ There was
a little feeling and adjustment, at first, for mutual distances and
allowances.
“Oh, yes! And here occurred a gross impertinence of Villamarti. He had,
after an interval, followed Chisto--to retrieve his reputation. My
Faith! I can conceive the elder Dumas slamming his door on an intruder
precisely as Apis did. He raced Villamarti into the nearest refuge at
once. He stamped his feet outside it, and he snorted: ‘Go! I am engaged
with an artist.’ Villamarti went--his reputation left behind for ever.
Public-domain text, read in full here on John Shaqi.
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