English fiction -- 20th century; English poetry -- 20th century; Short stories, English; World War, 1914-1918 -- Fiction
He stood up, his head high in the caravan’s resonant roof, and mopped
his face.
“Go on!” I said.
“There ain’t much more. You see the devirg’nised European an’ the
immemorially sophisticated Asiatic, who can hold their liquor,
spreadin’ out an’ occupyin’ the land (the signs in the streets register
that) like--like a lavva-flow in Honolulu. There’s jest a hint, too, of
the Return of the Great Scourge, an’ how it fed on all this fresh human
meat. Jest a few feet of the flesh rottin’ off the bones--’same as
when Syph’lis originated in the Re-nay-sanse Epoch. Last of all--date
not specified--will be the herdin’ of the few survivin’ Americans into
their reservation in the Yellowstone Park by a few slouchin’, crippled
remnants of the Redskins. ’Get me? ‘Presumption’s Ultimate Reward.’
‘The Wheel Comes Full Circle.’ An’ the final close-up of Rum-in-the-Cup
with his Hate-Mission accomplished.”
He stooped again to the photos in the bunk-locker.
“I shot that,” he said, “when I was in the Yellowstone. It’s a document
to build up my Last Note on. They’re jest a party of tourists watchin’
grizzly bears rakin’ in the hotel dump-heaps (they keep ’em to show).
That wet light hits back well off their clothes, don’t it?”
I saw six or seven men and women, in pale-coloured raincoats, gathered,
with no pretence at pose, in a little glade. One man was turning up
his collar, another stooping to a bootlace, while a woman opened her
umbrella over him. They faced towards a dimly defined heap of rubbish
and tins; and they looked unutterably mean.
“Yes.” He took it back from me. “That would have been the final
note--the dom’nant resolvin’ into a minor. But it don’t matter now.”
“Doesn’t it?” I said, stupidly enough.
Public-domain text, read in full here on John Shaqi.
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