Deborah: A tale of the times of Judas Maccabaeus — John Shaqi
Deborah: A tale of the times of Judas MaccabaeusLudlow, James M. (James Meeker)
History
Deborah: A tale of the times of Judas Maccabaeus
Ludlow, James M. (James Meeker)
Jewish fiction; Jews -- History -- 586 B.C.-70 A.D. -- Fiction; Maccabees -- Fiction
Dion paused by the oaken door in the wall of the Jew's house. He
took from a little pouch at his belt a pinch of aromatic sawdust of
sandalwood, and dropped it upon a small square altar whose brazier
emitted a thin curl of white smoke, clouding the entrance. This was an
altar to Zeus which the Governor had commanded to be placed at all the
houses which were still occupied by the Jews. Just above the altar the
lintel had been torn by the destruction of the Mezuzah or wooden box
which, according to the Hebrew custom, contained the sacred sentences
from the Law, and through the small apertures in which a visitor to any
Jewish home could see the word "Shaddai," the Almighty One, and thus
make the common salutation, "Peace be to this house," into a prayer.
Dion's worship at the little altar by the gate was marred by a muttered
curse upon Apollonius for the needless insult perpetrated by this act
of sacrilege.
The Greek had scarcely time to knock at the outer entrance when the
door flew open, and with the cry "Father!" a young girl's arms were
about the old man.
She drew him inside, and stood with her left arm supporting, while she
raised her right hand as if it were a shield to protect him.
Captain Dion was familiar with the finest statuary in Athens and
Antioch, but thought he had never seen anything to match this,--the
white head and beard of age shielded by the raven locks of youth and
beauty. He would tell Laertes, his sculptor friend, of this pose.
The girl was apparently about seventeen years of age, tall and lithe,
with sufficient muscle to give that exquisite grace which only
accompanies strength. Her hair, bound about the temples with a single
fillet of silver, fell in wavy profusion of jet black upon a white
linen chiton. This was gathered at the shoulders, and left fully
exposed a neck which might have illuminated a copy of Solomon's Song.
Beneath the breasts the garment was girdled with a rope of golden
threads, and thence fell below the knees. Her ankles were wound with
long white sandal lacings, which were in harmony with the silver band
that bound her brow. Her arms were bare. In her haste she had not put
on her outer garment, and thus stood revealed in a more exquisite
modelling of nature than she would have chosen had she known that she
was to be beneath so critical an eye. Yet she could not have been more
charming had she practised for hours before her mirror of polished
brass, and passed her proud old nurse Huldah's inspection before she
made her début at the gate.
Public-domain text, read in full here on John Shaqi.
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