Decadence, and Other Essays on the Culture of IdeasGourmont, Remy de
Philosophy
Decadence, and Other Essays on the Culture of Ideas
Gourmont, Remy de
French essays -- Translations into English; Philosophy
Ideas cannot be classed as true and false. The idea is necessarily
true. An idea that can be disputed is an idea mingled with concrete
notions, that is to say, a truth. The work of disassociation tends,
precisely, to free the truth from all its fragile part, in order
to obtain the pure, one, and consequently unassailable idea. But
if words were never used save in their unique and absolute sense,
connected discourse would be difficult. There must be left a little
of that vagueness and flexibility which usage has given them; and, in
particular, too much stress must not be laid upon the gap separating
the abstract from the concrete. There is an intermediate state between
ice and water--that in which the latter begins to congeal, when it
still cracks and yields under the pressure of the hand plunged into
it. Perhaps we should not even demand that the words contained in
philosophic handbooks should abdicate all pretension to ambiguity.
The idea of army, which aroused serious polemics, and which was
liberated an instant, only to be obscured anew, is one of those
that border on the concrete and cannot be spoken of without minute
references to reality. The idea of justice, on the contrary, can be
considered in itself, _in abstracto_. In the inquiry made by M. Ribot
on the subject of general ideas, almost all those who heard the word
Justice pronounced, saw, in their mind's eye, the legendary lady with
the scales. There is, in this traditional representation of an abstract
idea, a notion of the very origin of that idea.
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