Decadence, and Other Essays on the Culture of IdeasGourmont, Remy de
Philosophy
Decadence, and Other Essays on the Culture of Ideas
Gourmont, Remy de
French essays -- Translations into English; Philosophy
Molière was very immoral in his day, and this was the secret
of his success with a public which had no other choice, on its days of
repentance, than among the most eloquent or the most skilful preachers.
It is as he has been less understood, that Molière has become, little
by little, a moralist. As successive sensibilities have distinguished
themselves more sharply from the sensibility of the seventeenth
century, the coarseness has lost its rank odour and we have come at
last to find delicate certain sallies which, brought up to date, would
embarrass us. Molière, much more brutal at bottom than on the surface,
enjoys what might be called an acquired morality. It is an inevitable
phenomenon of adjustment. It was necessary either to sacrifice Molière
or to demonstrate the beauty of his philosophic genius.
His saying, which is only a saying, "For the love of humanity," has
been hollowed and dug out by the commentators like an ivory ball which,
at last, in the lathe, becomes a system of concentric spheres. It is
merely a child's rattle. How are the _Femmes Savantes_ and Feminism
to be reconciled? This will be a very curious teat to follow. In her
_Réflexions sur les Femmes_, so penetrating and so well written, Madame
de Lambert says that this comedy, odious in itself, made education for
young women seem improper, immodest, almost obscene; whence the craze
for purely sensual pleasure to which women inclined, since they had
no other resources than love and good living. The difficulty will be
solved by considering separately the idea of feminism and the idea of
the _Femmes Savantes_, and by cavilling at the word "savant," which
has recently come to have a very definite significance. The _savant_,
in the seventeenth century, was the amateur, not only of the sciences,
but of letters--the man eager for all novelties, who discussed vortices
without neglecting Vaugelas. Madame de Sévigné was a "femme savante,"
also Ninon. No doubt it was necessary to save Molière's work. It was
worth it. But might not it have been done more honestly, and with
greater lucidity?
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