Decadence, and Other Essays on the Culture of Ideas — John Shaqi
Decadence, and Other Essays on the Culture of IdeasGourmont, Remy de
Philosophy
Decadence, and Other Essays on the Culture of Ideas
Gourmont, Remy de
French essays -- Translations into English; Philosophy
It is not a question of disputing the awards of glory or of proposing
a revised list. Such as it is, it serves its purpose. It may have the
same usefulness as the arbitrary classifications of botany. It is not a
matter of amending it, it is a matter of tearing it up.
That Racine is a better poet than Tristan l'Hermite, and that
_Iphigénie_ is superior to _Marianne_, are two propositions unequally
true; for we might quite as well be asked to compare this, which is by
Racine:
Que c'est une chose charmante
De voir cet étang gracieux
Où, comme en un lit précieux,
L'onde est toujours calme et dormante!
Quelles richesses admirables
N'ont point ces nageurs marquetés,
Ces poissons aux dos argentés,
Sur leurs écailles agréables![10]
with this, which is by Tristan:
Auprès de cette grotte sombre
Où l'on respire un air si doux,
L'onde lutte avec les cailloux,
Et la lumière avec que l'ombre.
Ces flots, las de l'exercice
Qu'ils ont fait dessus ce gravier,
Se reposent dans ce vivier,
Où mourut autrefois Narcisse.
L'ombre de cette fleur vermeille
Et celle de ces jons pendans
Paraissent estre la-dedans
Les songes de l'eau qui someille.[11]
I am well aware that I am here comparing the best of Tristan with the
worst of Racine; but all the same, if Racine had his park, Tristan had
his garden, and it is often agreeable there. Let us then tear up the
list of awards in order to remain ignorant of the fact that Tristan
l'Hermite is a poet "whose versification is ridiculous,"[12] so that
our pleasure in meeting him may not thus be spoiled in advance, and so
that, with him, we may dare address his muse:
Fay moy boire au creux de tes mains,
Si l'eau n'en dissout point la neige.
This is the drawback to comparative methods. Having set up the great
poet of the century as a standard, the critics thereafter value the
others merely as precursors or as disciples.[13] Authors are often
judged according to what they are not, through failure to understand
their particular genius, and often also through failure to question
them themselves. Pratinas, truly, is better treated. He enjoys silence.
Public-domain text, read in full here on John Shaqi.
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