Jewelry theft -- Fiction; London (England) -- Social life and customs -- 20th century -- Fiction; Love stories; Mystery fiction
Three days after his visit to the Hyde Park Hotel Craven, having no
dinner invitation and feeling disinclined for the well-known formality
of the club where he often dined, resolved to yield to a faint
inclination towards a very mild Bohemianism which sometimes beset him,
and made his way in a day suit to Soho seeking a restaurant. He walked
first down Greek Street, then turned into Frith Street. There he peeped
into two or three restaurants without making up his mind to sample their
cooking, and presently was attracted by a sound of guitars giving forth
with almost Neapolitan fervour the well-known tune, “O Sole Mio!” The
music issued from an unpretentious building over the door of which was
inscribed, “Ristorante Bella Napoli.”
It was a cold, dark evening, and Craven was feeling for the moment
rather depressed and lonely. The music drew his thoughts to dear Italy,
to sunshine, a great blue bay, brown, half-naked fishermen pulling in
nets from the deep with careless and Pagan gestures, to the thoughtless,
delicious life only possible in the golden heart of the South. He did
not know the restaurant, but he hesitated no longer. Never mind what the
cooking was like; he would eat to the sound of those guitars which he
knew were being thrummed by Italian fingers. He pushed the swing door
and at once found himself in a room which seemed redolent of the country
which everyone loves.
It was a narrow room, with a sanded floor and the usual small tables.
The walls were painted with volcanic pictures in which Vesuvius played a
principal part. Vesuvius erupted on one wall, slept in the moonlight on
another, at the end of the room was decked out in all the glories of an
extremely Neapolitan sunset. Upon the ceiling was Capri, stretching
out from an azure sea. For the moment the guitars had ceased, but their
players, swarthy, velvet eyed, and unmistakable children of Italy, sat
at ease, their instruments still held in brown hands ready for further
plucking of the sonorous strings. And the room was alive with the uproar
of Italian voices talking their native language, with the large and
unselfconscious gestures of Italian hands, with the movement of Italian
heads, with the flash and sparkle of animated Italian eyes. Chianti was
being drunk; macaroni, minestra, gnocchi, ravioli, abione were being
eaten; here and there Toscanas were being smoked. Italy was in the warm
air, and in an instant from Craven’s consciousness London was blotted
out.
For a moment he stood just inside the door feeling almost confused.
Opposite to him was the padrona, a large and lustrous woman with sleepy,
ox-like eyes, sitting behind a sort of counter. Italian girls, with
coal-black hair, slipped deftly to and fro among the tables serving
the customers. The musicians stared at Craven with the fixed, unwinking
definiteness which the traveller from England begins to meet with soon
after he passes Lugano. Where was a table for an Englishman?
“Ecco, signorino!”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account