Jewelry theft -- Fiction; London (England) -- Social life and customs -- 20th century -- Fiction; Love stories; Mystery fiction
As he ate his excellently cooked meal he felt pleasantly warmed and even
the least bit excited. This was a wholly unexpected encounter. To meet
the old age and the radiant youth which at the moment interested him
more than any other old age, any other radiant youth, in London, in
these surroundings, to watch them with the music of guitars in his
ears and the taste of ravioli on his lips, silently to drink to them in
authentic Chianti--all this gave a savour to his evening which he had
certainly not anticipated. When now and then his eyes sought the table
tucked into the corner by the window, he saw his two acquaintances
plunged deep in conversation. Presently Miss Van Tuyn lit a cigarette,
which she smoked in the short interval between two courses. She moved,
and sat in such a way that her profile was presented to the room as
clearly and definitely as a profile stamped on a finely cut coin.
Certainly she was marvellously good-looking. She had not only the beauty
of colouring; she had also the more distinguished and lasting beauty of
line.
An Italian voice near to Craven remarked loudly, with a sort of coarse
sentimentality:
“_Che bella ragassa!_”
Another Italian voice replied:
“_Ha ragione di venire qui con quella povera vecchia! Com’e brutta la
vecchiezza!_”
For a moment Craven felt hot with a sort of intimate anger; but the
guitars began “Santa Lucia,” and took him away again to Naples. And what
is the use of being angry with the Italian point of view? As well be
angry with the Mediterranean for being a tideless sea. But he glanced
at the profile and remembered the words, and could not help wondering
whether Miss Van Tuyn’s cult for Lady Sellingworth had its foundations
in self-love rather than in attraction to her whom Braybrooke had called
“the most charming _old_ woman in London.”
Presently Miss Van Tuyn, turning three-quarters face, sent him a
“coffee-look,” and he saw that a coffee apparatus of the hour-glass type
was being placed on the table by the window. He nodded, but held up a
clean spoon to indicate that his zabaione had yet to be swallowed.
She smiled, understanding, and spoke again to Lady Sellingworth. A few
minutes later Craven left his table and joined them, taking his Toscana
with him.
They were charmingly prepared for his advent. Three cups were on the
table, and coffee for three was mounting in the hour glass. The two
friends were smoking cigarettes.
As he prepared to sit down on the chair placed ready for him with his
back to the window, Miss Van Tuyn said:
“One minute! Please give the musicians this!”
She put five shillings into his hand.
“And ask them to play the Sicilian Pastorale, and ‘A Mezzanotte,’ and
the Barcarola di Sorrento, and _not_ to play ‘Funiculi, Funicula.’ Do
you mind?”
“Of course not! But do let me--”
“No, no! This is my little treat to Lady Sellingworth. She has never
been here before.”
Public-domain text, read in full here on John Shaqi.
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