Man-woman relationships -- Fiction; Villages -- Fiction; Virginia -- Fiction
DEEP CHANNEL
DEEP CHANNEL
BY
MARGARET PRESCOTT MONTAGUE
[Illustration]
THE ATLANTIC MONTHLY PRESS
BOSTON
COPYRIGHT 1923 BY MARGARET PRESCOTT MONTAGUE
PRINTED IN THE UNITED STATES OF AMERICA
DEEP CHANNEL
I
Where shall we pick up the thread of Julie Rose’s life? It runs, a
hidden strand, back and back into the past, crossed and recrossed by
the threads of other lives,--all weaving a pattern of humanity on an
unseen loom,--deflected sometimes by the pull of natures stronger than
her own, widened here and narrowed there by circumstance, winding
itself for the most part along the muddy streets of Hart’s Run, to the
shops on errands for her mother, to the schoolhouse, and on Sundays
to the Methodist church; sometimes, more rarely, running out of the
village by the main street, which so quickly turns itself into a rutty
highway, up the sides of the surrounding mountains on excursions for
chestnuts in the autumn, or for bloodroot and anemone blossoms in the
spring.
Following the thread, one may see Julie Rose as a little girl--such
a meagre, anxious, and correct little girl!--out on the streets in
hood and little shawl in winter or in a checked wash-dress in summer,
weaving her pattern of life through the village. An uncertain pattern,
deflected as it is by the constant necessity for sudden crossings of
the street to avoid encounters which frighten her, yet at the same time
to give the impression that she changed her course for other reasons.
Here she crosses, one might suppose, to speak to old Mrs. Brewster;
in reality it is to escape a group of rough boys who would be sure to
taunt her, or even give her hair a jerk, did she dare to pass them.
There she recrosses, apparently to peep at a bed of zinnias but really
to avoid a cow, which, blocking the sidewalk, might swoop its horns
at her were she to face it. Always there is the fear and always the
compulsion of concealment, for worse even than being afraid is to have
one’s fear uncovered by the laughter of people. But though a little
nervous pulse flutters in her neck, and her eyes darken constantly with
apprehension, yet her whole face can light up amazingly whenever life
is gracious to her: when some one gives her a red apple, for instance,
or when her teacher is kind.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account