Man-woman relationships -- Fiction; Villages -- Fiction; Virginia -- Fiction
“Oh, what a fool I am to take things so hard!” she panted. “Now
everybody’ll know I’m afraid to pray in public. There won’t be one
person that goes to the Methodist church that won’t know it. Oh, you
silly idiot! Oh, how I hate you!” In a culminating burst of rage, she
turned over and set her teeth violently into her thin arm.
The hours writhed away at last, and just before dawn she fell asleep,
but, even then she was not delivered. In her dreams she herself became
horribly confused with the little chimney-swallow, and Mrs. Anderson,
in the shape of Blackie the cat, pounced upon her.
There was another cat also--this one with two heads; one head had the
snapping eyes of Mrs. Wicket, and the other the broad and stupid face
of Miss Mary Humphries. They gazed on her, and she heard them making a
dreadful play on words.
“She can’t pray,” said the Miss Mary Humphries’ head.
“If she can’t pray, she’s my prey,” said the Mrs. Anderson cat, and
opened her mouth. Julie saw the jaws, she saw the teeth, she saw the
red tongue curled back. In a moment everything else disappeared. In
all the world there was nothing but herself that was a little naked
bird, and that gaping mouth descending upon her. Closer and closer it
came, the tongue curled back, the white teeth in rows. It closed upon
her, and she shrieked, only she did not shriek in her own woman’s voice
but rather in that last agony that the fledgling emitted when Blackie
pounced.
With a violent start, she awoke. It was early daylight and she was in
her own bed; but the dream was still upon her, and for a moment she
could not shake it off. It seemed as though somewhere in her sleep she
had doffed her humanity and for a moment had entered into and known the
agony of the captured bird, as though that agony were a real thing,
detached and tangible, left alive to blow about through the world and
fasten darkly upon any wayfarers of sleep. On the edge of waking, Julie
found the tears in her eyes. “Poor little bird! Poor little thing!”
she cried pitifully.
Then she came to herself. The mystery of sleep withdrew, she slipped
back into her own personality, and knew that it was time for her to get
ready for her day in Red River.
IV
When Julie reached the station to take her train for Red River, she
found herself the only passenger from Hart’s Run. A couple of traveling
men, strangers to her, were walking up and down the platform in the
fresh morning air, pulling at their cigars, evidently content and
well-breakfasted by the hospitality of the Monroe House in the village.
The station master was also there. He was Edward Black, the same bully
who had torn Julie’s doll to pieces so long ago. He had grown into a
stout and flabby man, with small eyes set in so large an expanse of
face that one inevitably thought of his cheeks as jowls. He greeted her
with “Mornin’, Julie, goin’ away on Number Twelve?”
“Just to Red River for the day,” she answered. “I hope Twelve’s on
time.”
Public-domain text, read in full here on John Shaqi.
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