The place was nested in woods and water, like a dabchick's nest, yet for all that comfortable and fair to see with its lawns and greenery set about it. I looked at Elsie to see if she was feared. But not she. Instead, there was a queer, eager look, and her eyes kept glittering, as if you could have struck a match at them. Then all at once it struck me that Elsie was going to be pretty; but I resolved to say nothing about that for the present. It was thinking about her mother that did it, I expect. And that is a funny thing, too. For I care about my mother, and sometimes look eager, like Elsie; but it is when I tease her to tell me what we are going to have for dinner. Elsie was different. She said "S-h-h-h-!" whenever I moved; and once, when a stick cracked underfoot, turned and gave me a look, which would have speaned a foal. "You fidgety worm--_can't_ you be quiet," that look said. We went on watching the house and the woman watering the flower beds. Nance had told us that the old housekeeper always did that herself. No hireling was allowed to put a spade in the soil of the Grange garden. Very soon we had proof that she was quite mad. The Lent lilies grew about in great clumps, flourishing strong and high--a brave show. The gaunt old woman waved the rose of her watering can over each with a kind of ritual, like what I have since seen the priests use in Catholic churches. Then she kneeled down and prayed--yes, prayed to the lilies. Actually I saw her--and so did Elsie. But that was not all. Out of the house there came a company of three other women, one behind the other. They had their hair down their backs, and long cloaks with gold and silver patches covered them. Each was carrying something narrow and black in her arms. At first they were too far away for us to see clearly, but as they came nearer, I gasped and caught at Elsie's hand. The long black things were little, tiny coffins, neatly modelled, and covered with black cloth all complete with fringe, name-plates, and cords. A little to the side, capering and dancing, flinging his legs high in the air, and blowing a merry marching tune on a soldier's clarionet, pranced Daft Jeremy. Every now and then he would stop blowing to give the brass instrument a shake. Then he would laugh and egg on the women with the coffins to dance also. But they went along quite peaceably, keeping their countenances wonderfully, and making quaint signs with their hands. They marched round and round, the idiot laughing and blowing while the elder woman with the gardening spud went on praying, paying no attention whatever to them, till they came to a rude altar, just two upright posts and a stone laid across them, quite at the end of the garden, opposite to where we were. Upon this they laid the coffins down, and the women-creatures kneeled. But the monster with the clarionet leaped up between the coffins nimbly as a jackanapes, crossed his legs, and began to play.