The old, many-gabled, brick-built house was ivy-covered--in poor
repair, but clean. Curious-looking, stocking-shaped contrivances
cowled the chimneys, or such of them as were used. The Grange was set
so deep in the woods that when the wind blew with any violence, and
apparently from any quarter, it raced and gusted and whirled down the
chimneys so as to blow the faggots out on the hearths.
But without and within the house, it was anything but dirty. That is,
so far as I--no great judge, mayhap--could make out. At times Jeremy
Orrin, who now followed us, laughing and jeering, could work like a
demon, clearing up some debris. And Mr. Stennis kept poking his nose
here and there into the outhouses and cart sheds with a curious,
dithering thrill of apprehension, not at all like a master coming back
to his own house, or looking if his servants' work were well performed.
Still, if he looked for dirt, he found none. No, nor anything
else--except in the great barn, empty of everything (for the horse's
oats and bedding were kept in the stable). Here Mr. Stennis, tripping
along with his tread of a frightened hen, lifted a huge curtain of corn
sacks, thick and heavy, made after the pattern of those at church doors
abroad, and we went in.
As soon as we stood on the beaten floor of hard earth, we could not
take our eyes from what we beheld at the upper end. There was a kind
of altar, rudely shaped, with a table and a cross, all as if hewn with
an axe out of live wood, and painted black. On the table were the
little black coffins, each small as baby's toys, which we had seen the
mad women carry through the garden. Each of these had now a candle
burning upon it. But the central light, a little larger than the rest,
was protected about the flame by a curious contrivance made of red
paper glued upon bits of stick which gave it (from where we stood) the
appearance of a crimson lantern.
For the first time, I think Elsie was now a little frightened. And no
wonder, for suddenly we saw something appear in the dark of the big
empty barn, amid a curious pervading smell that I took to be incense,
but which might have been cockroaches. I liked bravely for Elsie to
feel like that. For she had been just all too secure and cock-a-hoop
up till now.
What we saw was a row of kneeling figures singing a strange wordless
chant, something between the wind in a score of keyholes and distant
dog kennels on a moon-light night. At any rate, it tried the little
girl's stomach. Because, quite suddenly she pitched forward on my
shoulder and cried: "O Joe, get me out of this!"
Then the next moment, just like thrusting a stick into a wasp's byke,
each of the black kneeling figures had snatched her candle and made
after us.
Public-domain text, read in full here on John Shaqi.
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