"It is a luxury," thought the gazer, "for one who cannot move about to
sit here and look abroad. I wonder whether I should have been with the
party if I had not been lame. I dare say something would have taken off
from the pleasure if I had. But how well I can remember what the
pleasure is! the jumping stiles--the feel of the turf underfoot,--the
running after every flower,--the going wherever one has a fancy to go,--
how well I remember it all! And yet it gives me a sort of surprise to
see the activity of these children, and how little they are aware of
what their privilege is. I fancy, however, the pleasure is more in the
recollection of all such natural enjoyments than at the moment. It is
so with me, and I believe with everybody. This very landscape is more
beautiful to me in the dark night when I cannot sleep, than at this very
moment, when it looks its best and brightest: and surely this is the
great difference between that sort of pleasures and those which come
altogether from within. The delight of a happy mood of mind is beyond
everything at the time; it sets one above all that can happen; it steeps
one in heaven itself; but one cannot recall it: one can only remember
that it was so. The delight of being in such a place as those woods is
generally more or less spoiled at the time by trifles which are
forgotten afterwards;--one is hungry, or tired, or a little vexed with
somebody, or doubtful whether somebody else is not vexed; but then the
remembrance is purely delicious,--brighter in sunshine, softer in
shade,--wholly tempered to what is genial. The imagination is a better
medium than the eye. This is surely the reason why Byron could not
write poetry on Lake Leman, but found he must wait till he got within
four walls. This is the reason why we are all more moved by the
slightest glimpses of good descriptions in books than by the amplitude
of the same objects before our eyes. I used to wonder how that was,
when, as a child, I read the openings of scenes and books in `Paradise
Lost.' I saw plenty of summer sunrises; but none of them gave me a
feeling like the two lines:--
"`Now morn, her rosy steps in the eastern clime
Advancing, sowed the earth with orient pearl.'
Public-domain text, read in full here on John Shaqi.
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