Few of the younger people of the present generation know, by personal experience, how nobly and incomparably Edwin Booth enriched the modern stage with his vivid portraitures of Shakespearean characters. The tragic fervor, the startling passion, and the impressive dignity with which he invested his various roles, have not been equaled, I daresay, by any actor on the English speaking stage since the days of Garrick and Kean. He had a voice that vibrated with every mood, and a mien, despite his short stature, that gave a lofty dignity to every part that he played. But Booth as himself was a simple, modest, amiable human being. Many of us younger men came to know him in a personal way, when he established in New York City the Players' Club, which he dedicated to the dramatic profession, and which is now a splendid and permanent monument to his fame and generosity. I saw him frequently and had many chats with him. When I undertook the management of E. H. Southern, he was very much interested because he knew young Sothern's father, the original Lord Dundrery; so, when Mr. Sothern appeared in the first play under my management, "The Highest Bidder," I invited Mr. Booth to witness the performance. He expressed his delight at seeing his old friend's son doing such delightful work, and the three of us afterwards met at a little supper at the Players'. He told us that he came nearly being the Godfather of young Sothern, and that he was to have been called "Edwin" after himself; but the reason why his name was changed to "Edward," he explained, was as follows: When young Sothern was born in New Orleans, the elder Sothern telegraphed Booth, asking him to stand as Godfather to his boy, but Booth did not wish to take the responsibility, doubtless for reasons of his own, and so his name was changed to "Edward"; but he confessed that it was a matter he greatly regretted. He told us many stories of his early career as an actor, one of which I remember as a very amusing experience on the part of the elder actor when on his way to Australia. Mr. Booth had an engagement to play in that distant section, and with five members, the nucleus of a company, started from San Francisco. They had occasion to stop at Honolulu en route. The stop there being longer than originally anticipated, and the news of his arrival having spread, King Kamehameha sent a request that he give a performance of "Richard III" in the local theater. In spite of managerial difficulties, Booth (being then a young man, ardent and ambitious) sought to give a semblance with the scanty material at hand, of a fair performance. He had to secure the cooperation of members of the local amateur company. The best he was enabled to do for the part of Queen Elizabeth was an actor, short in stature, defective in speech and accent, but earnest in temperament, whom he cast for this eminent role. The other parts were filled as best he could, and the principals with him enabled Mr. Booth to