Definitions: Essays in Contemporary Criticism [First Series]Canby, Henry Seidel
History
Definitions: Essays in Contemporary Criticism [First Series]
Canby, Henry Seidel
American literature -- 20th century -- History and criticism; Criticism; English fiction -- History and criticism
The long-winded are the dullest of dull reviewers, but the most
pernicious are the wielders of cliches and platitudes. Is there
somewhere a reviewer's manual, like the manual of correct social
phrases which some one has recently published? I would believe it
from the evidence of a hundred reviews in which the same phrases,
differently arranged, are applied to fifty different books. I
would believe it, except for the known capacity of man to borrow
most of his thoughts and all of his phrases from his neighbor. I
know too well that writers may operate like the Federal Reserve
banks, except that in literature there is no limit to inflation. A
thousand thousand may use "a novel of daring adventure," "a poem
full of grace and beauty," or "shows the reaction of a thoughtful
mind to the facts of the universe," without exhausting the supply.
It is like the manufacture of paper money, and the effect on
credit is precisely the same.
So much for the various types of reviewers who, however
interesting they may be critically, cannot be called good. The
good reviewers, let an uncharitable world say what it will, are,
thank heaven! more numerous. Their divisions, temperamental and
intellectual, present a curious picture of the difficulties and
the rewards of this profession. Yet I cannot enter upon them here,
and for good reasons.
The good reviewer is like the good teacher and the good preacher.
He is not rare, but he is precious. He has qualities that almost
escape analysis and therefore deserve more than a complimentary
discussion. He must hold his book like a crystal ball in which he
sees not only its proper essence in perfect clarity, but also his
own mind mirrored. He must--... In other words, the good reviewer
deserves an essay of his own. He is a genius in a minor art, which
sometimes becomes major; a craftsman whose skill is often
exceptional. I will not put him in the same apartment with
reviewers who are arid, egoistic, or dull.
MRS. WHARTON'S "THE AGE OF INNOCENCE"
America is the land of cherished illusions. Americans prefer to
believe that they are innocent, innocent of immorality after
marriage, innocent of dishonesty in business, innocent of
incompatibility between husbands and wives. Americans do not
like to admit the existence (in the family) of passion, of
unscrupulousness, of temperament. They have made a code for what
is to be done, and what is not to be done, and whatever differs is
un-American. If their right hands offend them they cut them off
rather than admit possession. They believed in international
morality when none existed, and when they were made to face the
disagreeable fact of war, cast off the nations of the earth, and
continued to believe in national morality.
Public-domain text, read in full here on John Shaqi.
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