Deformities of Samuel Johnson, Selected from His WorksCallender, James Thomson
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Deformities of Samuel Johnson, Selected from His Works
Callender, James Thomson
Johnson, Samuel, 1709-1784 -- Criticism and interpretation
Having thus denied veracity both to Plutarch and _himself_, this Idler,
in the very next page, leaps at once from the wildest scepticism to the
wildest credulity. The paragraph is too long for insertion; but the
tenor of it is, that 'a man's account of himself, left behind him
unpublished, may be _depended on_;' because, 'by self-love all have been
so often betrayed, _that_ (now for the strangest flight of nonsense) all
are on the watch against its artifices.'
In his Dictionary, _temperance_ is defined to be '_moderation opposed to
gluttony and drunkenness_.' And he has since defined 'sobriety or
temperance' to be '_nothing_ but the forbearance of _pleasure_[12].'
This maxim needs no comment.
'A man will, in the hour of darkness and fatigue, be content to leave
behind him every thing but _himself_[13].' Here the Doctor supposes,
that a person can leave _himself_ behind _himself_. When the reader
examines the passage in the original, he will be convinced, that this
cannot be an error of the press only. Had the Rambler, when he crossed
Tweed, left behind him his pride, his indolence, and his vulgarity, he
would have returned a much wiser, better, and happier man than he did.
_Form_, he explains to be, 'the external appearance of any thing,
shape;' but, when speaking of hills in the North of Scotland, he says,
'the appearance is that of matter incapable of FORM[14]!' He has seen
_matter_, not only destitute, but incapable of _shape_. He has seen an
_appearance_ which is incapable of _external_ appearance. And yet, in
the same book, he seems to regret the weakness of his vision.
Beauty is 'that assemblage of graces which pleases the eye.' But, in the
Idler[15], he displays his true idea of beauty; and it is a very lame
piece of philosophy. Judge from a few samples: 'If a man, born blind,
was to recover his sight, and the most beautiful woman was to be brought
before him, he could not determine whether she was handsome or not. Nor
if the most handsome and most deformed were produced, could he any
better determine to which he should give the preference, having seen
only these two.' And again, 'as we are then more accustomed to beauty
than deformity, we may conclude _that_ to be the reason why we approve
and admire it.' Moreover, 'though habit and custom cannot be said to be
the cause[16] of beauty, IT is certainly the cause of our liking it[17].
I have no doubt, but that, if we were more used to deformity than
beauty, deformity would then lose the idea now annexed to it, and take
that of beauty; as if the whole world should agree that _yes_ and _no_
should change their meanings, _yes_ would then deny, and _no_ would
affirm.' This is such a perfection of nonsense, that the reader will,
perhaps, think it a forgery; but he will find it _verbatim et
literatim_, and the whole number is in the same stile.
Public-domain text, read in full here on John Shaqi.
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