Deformities of Samuel Johnson, Selected from His WorksCallender, James Thomson
General
Deformities of Samuel Johnson, Selected from His Works
Callender, James Thomson
Johnson, Samuel, 1709-1784 -- Criticism and interpretation
Window. 'An _aperture_ in a building by which air and light are
_intromitted_.' _N. B._ Almost the whole of the same page is daubed over
with such jargon. Said. 'Aforesaid.' Scoundrel. 'A mean rascal; a low
petty villain.' Rascal. 'A mean fellow; a scoundrel.' Villain. 'A wicked
wretch.' Wretch. 'A miserable mortal.' No, _ad._ 'The word of refusal.
2. The word of denial.' No, _a._ '1. Not any; NONE. 2. _No one_; NONE:
_not any one_.' (Had this word _none_ altered its meaning, before the
Doctor got to the end of the line?) Nobody. (_No_ and _body_) 'No one;
not any one.' (See also Nod, _v. a._ Nod, _s._ Nodder. Noddle. Noddy,
&c.) None. '1. Not one. 2. Not any. 3. Not other.' Nothing. '_Negation_
of being; not any thing,' and _seventeen_ other definitions. Afore. (_a_
and _fore_) '_before_, nearer in place to any thing.'
'There is a certain line, beyond which, if ridicule attempts to go, it
becomes itself ridiculous, and there is a sphere of criticism in that
particular region, in which, if the critic plays his batteries on too
_contemptible_ objects, he must unavoidably depart from his proper
dignity, and must himself be an object of the raillery he would
convey[122].'
HEAR THE DOCTOR ON MUSIC.
Music. '1. The science of _harmonical_ sounds. 2. Instrumental, or vocal
_harmony_.' Harmony. 'Just proportion of sound.' Melody. 'Music;
_harmony_ of sound.' Tune. '_Tune_ is a diversity of notes put
together.' _Locke_, _Milton_, _Dryden_. Tenour, _s._ 'A _sound_ in
music.'
One requires little skill in music to see that the Doctor knows nothing
of that science. He confounds _melody_ with _harmony_; the one
consisting in a succession of agreeable sounds, and the other arising
from coexisting sounds. His account of a _tune_ is curious. And we may
say in his own stile, that his dictionary is 'a diversity of _words_ put
together.' His numerous omissions on this head will neither afflict, nor
surprise us; but we must be mortified and amazed to reflect on the
partial and injurious distribution of fame. For his book exhibits in
every page, perhaps without a single exception, a variety of errors and
absurdities. They are clear to the darkest ignorance. They are level to
the lowest understanding, and yet our language is exhausted in praise of
_their_ author. _Pronis animis audiendum!_
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