This is because the methods of a highly emotional, but intellectually incapable, dreamer suffice for poetry which deals exclusively with moods, but this is the inexorable limit of his power. Let the true meaning of mood be always present with us. The word denotes a state of mind, in which, through organic excitations which it cannot directly perceive, consciousness is filled with presentations of a uniform nature, which it elaborates with greater or less clearness, and one and all of which relate to those organic excitations inaccessible to consciousness. The mere succession of words, giving a name to these presentations, the roots of which are in the unknown, expresses the mood, and is able to awaken it in another. It has no need of a fundamental thought, or of a progressive exposition to unfold it. Verlaine often attains to astonishing effects in such poetry of moods. Where, however, distinct vision, or a feeling the motive of which is clear to consciousness, or a process well delimitated in time and space, is to be poetically rendered, the poetic art of the emotional imbecile fails utterly. In a healthy and sane poet even the mood pure and simple is united to clear presentations, and is not a mere undulation of fragrance and rose-tinted mist. Poems like Goethe’s _Ueber allen Gipfeln ist Ruh_, _Der Fischer_, or _Freudvoll und leidvoll_, can never be created by the emotionally degenerate; but, on the other hand, the most marvellous of Goethe’s poems are not so utterly incorporeal, not such mere sighs, as three or four of the best of a Verlaine. We have now the portrait of this most famous leader of the Symbolists clearly before us. We see a repulsive degenerate subject with asymmetric skull and Mongolian face, an impulsive vagabond and dipsomaniac, who, under the most disgraceful circumstances, was placed in gaol; an emotional dreamer of feeble intellect, who painfully fights against his bad impulses, and in his misery often utters touching notes of complaint; a mystic whose qualmish consciousness is flooded with ideas of God and saints, and a dotard who manifests the absence of any definite thought in his mind by incoherent speech, meaningless expressions and motley images. In lunatic asylums there are many patients whose disease is less deep-seated and incurable than is that of this irresponsible _circulaire_ at large, whom only ignorant judges could have condemned for his epileptoid crimes.