Comparative literature; Degeneration; Europe -- Intellectual life
THE manifestations described in the preceding chapter must be patent
enough to everyone, be he never so narrow a Philistine. The Philistine,
however, regards them as a passing fashion and nothing more; for him
the current terms, caprice, eccentricity, affectation of novelty,
imitation, instinct, afford a sufficient explanation. The purely
literary mind, whose merely æsthetic culture does not enable him to
understand the connections of things, and to seize their real meaning,
deceives himself and others as to his ignorance by means of sounding
phrases, and loftily talks of a ‘restless quest of a new ideal by the
modern spirit,’ ‘the richer vibrations of the refined nervous system
of the present day,’ ‘the unknown sensations of an elect mind.’ But
the physician, especially if he have devoted himself to the special
study of nervous and mental maladies, recognises at a glance, in the
_fin-de-siècle_ disposition, in the tendencies of contemporary art and
poetry, in the life and conduct of the men who write mystic, symbolic
and ‘decadent’ works, and the attitude taken by their admirers in the
tastes and æsthetic instincts of fashionable society, the confluence
of two well-defined conditions of disease, with which he is quite
familiar, viz. degeneration (degeneracy) and hysteria, of which the
minor stages are designated as neurasthenia. These two conditions of
the organism differ from each other, yet have many features in common,
and frequently occur together; so that it is easier to observe them in
their composite forms, than each in isolation.
The conception of degeneracy, which, at this time, obtains throughout
the science of mental disease, was first clearly grasped and formulated
by Morel. In his principal work--often quoted, but, unfortunately, not
sufficiently read[4]--the following definition of what he wishes to be
understood by ‘degeneracy’ is given by this distinguished expert in
mental pathology, who was, for a short time, famous in Germany, even
outside professional circles.[5]
‘The clearest notion we can form of degeneracy is to regard it as _a
morbid deviation from an original type_. This deviation, even if, at
the outset, it was ever so slight, contained transmissible elements of
such a nature that anyone bearing in him the germs becomes more and
more incapable of fulfilling his functions in the world; and mental
progress, already checked in his own person, finds itself menaced also
in his descendants.’
Public-domain text, read in full here on John Shaqi.
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