Comparative literature; Degeneration; Europe -- Intellectual life
Its own new discoveries and progress have taken civilized humanity by
surprise. It has had no time to adapt itself to its changed conditions
of life. We know that our organs acquire by exercise an ever greater
functional capacity, that they develop by their own activity, and can
respond to nearly every demand made upon them; but only under one
condition--that this occurs gradually, that time be allowed them. If
they are obliged to fulfil, without transition, a multiple of their
usual task, they soon give out entirely. No time was left to our
fathers. Between one day and the next, as it were, without preparation,
with murderous suddenness, they were obliged to change the comfortable
creeping gait of their former existence for the stormy stride of modern
life, and their heart and lungs could not bear it. The strongest could
keep up, no doubt, and even now, at the most rapid pace, no longer lose
their breath, but the less vigorous soon fell out right and left, and
fill to-day the ditches on the road of progress.
To speak without metaphor, statistics indicate in what measure the sum
of work of civilized humanity has increased during the half-century.
It had not quite grown to this increased effort. It grew fatigued and
exhausted, and this fatigue and exhaustion showed themselves in the
first generation, under the form of acquired hysteria; in the second,
as hereditary hysteria.
The new æsthetic schools and their success are a form of this general
hysteria; but they are far from being the only one. The malady of
the period shows itself in yet many other phenomena which can be
measured and counted, and thus are susceptible of being scientifically
established. And these positive and unambiguous symptoms of exhaustion
are well adapted to enlighten the ignorant, who might believe at first
sight that the specialist acts arbitrarily in tracing back fashionable
tendencies in art and literature to states of fatigue in civilized
humanity.
Public-domain text, read in full here on John Shaqi.
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