A burst of laughter from those near by proved it true that he had shown
himself in garb not suited to public appearance, and brought him now to
realization that he had heedlessly run from his room. That surprised him
because he insisted upon conventionality of attire and, forsaking his
project, he quickly returned home, apparently, however, with his mind
still somewhat confused by the dream and dazed by illusion, for he had
perceived that, at the laughter and exclamation, the young lady had
turned her head a moment, and he thought he had seen not the face of a
stranger, but that of Gradiva looking down upon him.
* * * * *
Because of considerable property, Doctor Norbert Hanold was in the
pleasant position of being unhampered master of his own acts and wishes
and, upon the appearance of any inclination, of not depending for expert
counsel about it on any higher court than his own decision. In this way
he differed most favourably from the canary, who could only warble out,
without success, his inborn impulse to get out of the cage into the
sunny open. Otherwise, however, the young archæologist resembled the
latter in many respects. He had not come into the world and grown up in
natural freedom, but already at birth had been hedged in by the grating
with which family tradition, by education and predestination, had
surrounded him. From his early childhood no doubt had existed in his
parents’ house that he, as the only son of a university professor and
antiquarian, was called upon to preserve, if possible to exalt, by that
very activity the glory of his father’s name; so this business
continuity had always seemed to him the natural task of his future. He
had clung loyally to it even after the early deaths of his parents had
left him absolutely alone; in connection with his brilliantly passed
examination in philology, he had taken the prescribed student trip to
Italy and had seen in the original a number of old works of art whose
imitations, only, had formerly been accessible to him. Nothing more
instructive for him than the collections of Florence, Rome, Naples could
be offered anywhere; he could furnish evidence that the period of his
stay there had been used excellently for the enrichment of his
knowledge, and he had returned home fully satisfied to devote himself
with the new acquisitions to his science. That besides these objects
from the distant past, the present still existed round about him, he
felt only in the most shadowy way; for his feelings marble and bronze
were not dead, but rather the only really vital thing which expressed
the purpose and value of human life; and so he sat in the midst of his
walls, books and pictures, with no need of any other intercourse, but
whenever possible avoiding the latter as an empty squandering of time
and only very reluctantly submitting occasionally to an inevitable
party, attendance at which was required by the connections handed down
from his parents.
Public-domain text, read in full here on John Shaqi.
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