But after that the dream picture changed completely. Absolute silence
took the place of the confused sound, and instead of smoke and
fire-glow, bright, hot sunlight rested on the ruins of the buried city.
This likewise changed gradually, became a bed on whose white linen
golden beams circled up to his eyes, and Norbert Hanold awoke in the
scintillating spring morning of Rome.
Within him, also, however, something had changed; why, he could not
surmise, but a strangely oppressive feeling had again taken possession
of him, a feeling that he was imprisoned in a cage which this time was
called Rome. As he opened the window, there screamed up from the street
dozens of venders’ cries far more shrill to his ear than those in his
German home; he had come only from one noisy quarry to another, and a
strangely uncanny horror of antique collections, of meeting there Apollo
Belvedere or the Capitoline Venus, frightened him away. Thus, after
brief consideration, he refrained from his intention of looking for a
dwelling, hastily packed his valise again and went farther south by
train. To escape the “inseparables,” he did this in a third-class coach,
expecting at the same time to find there an interesting and
scientifically useful company of Italian folk-types, the former models
of antique works of art. Yet he found nothing but the usual dirt,
Monopol cigars which smelled horribly, little warped fellows beating
about with arms and legs, and members of the female sex, in contrast to
whom his coupled country-women seemed to his memory almost like Olympian
goddesses.
* * * * *
Two days later Norbert Hanold occupied a rather questionable space
called a “room” in “Hotel Diomed” beside the eucalyptus-guarded
“ingresso” to the excavations of Pompeii. He had intended to stay in
Naples for some time to study again more closely the sculptures and
wall-paintings in the Museo Nazionale, but he had had an experience
there similar to that in Rome. In the room for the collection of
Pompeiian household furniture he found himself wrapped in a cloud of
feminine, ultra-fashionable travel-costumes, which had doubtless all
quickly replaced the virgin radiance of satin, silk or lace bridal
finery; each one clung to the arm of a young or old companion, likewise
faultlessly attired, according to men’s fashion standards; and Norbert’s
newly gained insight into a field of knowledge formerly unknown to him
had advanced so far as to permit him to recognize them at first glance;
every man was Augustus, every girl was Gretchen. Only this came to light
here by means of other forms of conversation tempered, moderated and
modified by the ear of publicity.
“Oh, look, that was practical of them; we’ll surely have to get a meat
warmer like that, too.”
“Yes, but for the food that my wife cooks it must be made of silver.”
“How do you know that what I cook will taste so good to you?”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account