Augustus and Gretchen over again, somewhat toned down and tempered for
eye and ear. It seemed to Norbert Hanold that he had had thin honey
poured upon him from all sides and that he had to dispose of it swallow
by swallow. A sick feeling came over him, and he ran out of the Museo
Nazionale to the nearest “osteria” to drink a glass of vermuth. Again
and again the thought intruded itself upon his mind: Why did these
hundredfold dualities fill the museums of Florence, Rome, Naples,
instead of devoting themselves to their plural occupations in their
native Germany? Yet from a number of chats and tender talks, it seemed
to him that the majority of these bird couples did not intend to nest in
the rubbish of Pompeii, but considered a side trip to Capri much more
profitable, and thence originated his sudden impulse to do what they did
not do. There was at any rate offered to him a chance to be freed from
the main flock of this migration and to find what he was vainly seeking
here in Italy. That was also a duality, not a wedding duality, but two
members of the same family without cooing bills, silence and science,
two calm sisters with whom only one could count upon satisfactory
shelter. His desire for them contained something formerly unknown to
him; if it had not been a contradiction in itself, he could have applied
to this impulse the epithet “passionate”—and an hour later he was
already sitting in a “carrozzella” which bore him through the
interminable Portici and Resina. The journey was like one through a
street splendidly adorned for an old Roman victor; to the right and left
almost every house spread out to dry in the sun, like yellow tapestry
hangings, a super-abundant wealth of “pasta di Napoli,” the greatest
dainty of the country, thick or thin macaroni, vermicelli, spaghetti,
canelloni and fidelini, to which smoke of fats from cook-shops,
dust-clouds, flies and fleas, the fish scales flying about in the air,
chimney smoke and other day and night influences lent the familiar
delicacy of its taste. Then the cone of Vesuvius looked down close by
across brown lava fields; at the right extended the gulf of shimmering
blue, as if composed of liquid malachite and lapis lazuli. The little
nutshell on wheels flew, as if whirled forth by a mad storm and as if
every moment must be its last, over the dreadful pavement of Torre del
Greco, rattled through Torre dell’Annunziata, reached the Dioscuri,
“Hotel Suisse” and “Hotel Diomed,” which measured their power of
attraction in a ceaseless, silent, but ferocious struggle, and stopped
before the latter whose classic name, again, as on his first visit, had
determined the choice of the young archæologist. With apparently, at
least, the greatest composure, however, the modern Swiss competitor
viewed this event before its very door. It was calm because no different
water from what it used was boiled in the pots of its classic neighbour;
and the antique splendours temptingly displayed for sale over there had
Public-domain text, read in full here on John Shaqi.
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