Norbert Hanold passed the second half of the day with a feeling that
Pompeii was everywhere, or at least wherever he stopped, veiled in a
cloud of mist. It was not grey, gloomy and melancholy as formerly, but
rather cheerful and vari-coloured to an extraordinary degree; blue, red
and brown, chiefly a light-yellowish white and alabaster white,
interwoven with golden threads of sunbeams. This injured neither his
power of vision nor that of hearing, only, because of it, thinking was
impossible, and that produced a cloud-wall whose effect rivalled the
thickest mist. To the young archæologist it seemed almost as if hourly,
in an invisible and not otherwise noticeable way, there was brought to
him a little bottle of Vesuvio wine, which produced a continuous
whirling in his head. From this he instinctively sought to free himself
by the use of correctives, on the one hand drinking water frequently,
and on the other hand moving about as much and as far as possible. His
knowledge of medicine was not comprehensive, but it helped him to the
diagnosis that this strange condition must arise from excessive
congestion of blood in his head, perhaps associated with accelerated
action of the heart; for he felt the latter—something formerly quite
unknown to him—occasionally beating fast against his chest. Otherwise,
his thoughts, which could not penetrate into the outer world, were not
in the least inactive within, or more exactly, there was only one
thought there, which had come into sole possession and carried on a
restless, though vain activity. It continually turned about the question
of what physical nature Zoë-Gradiva might possess, whether during her
stay in the house of Meleager she was a corporeal being or only an
illusory representation of what she had formerly been. For the former,
physical, physiological and anatomical facts seemed to argue that she
had at her disposal organs of speech, and could hold a pencil with her
fingers. Yet Norbert was overwhelmed with the idea that if he should
touch her, even lightly place his hand on hers, he would then encounter
only empty air. A peculiar impulse urged him to make sure of this, but
an equally great timidity hindered him from even thinking of doing it.
For he felt that the confirmation of either of the two possibilities
must bring with it something inspiring fear. The corporeal existence of
the hand would thrill him with horror, and its lack of substance would
cause him deep pain.
Public-domain text, read in full here on John Shaqi.
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