Zoë-Gradiva, too, is not most pleasantly surprised by the unexpected
visit which disturbs her, it seems, in an important piece of work. Soon
composed, she answers the question with a glib speech, in which she
informs her friend, and especially us, about the situation; and thereby
she knows how to get rid of the young couple. She extends her
compliments, but she is not on her wedding-trip. “The young man who just
went out is labouring also under a remarkable delusion; it seems to me
that he believes a fly is buzzing in his head; well, every one has, of
course, some kind of bee in his bonnet. As is my duty, I have some
knowledge of entomology and can, therefore, be of a little service in
such cases. My father and I live in the ‘Sole’; he, too, had a sudden
and pleasing idea of bringing me here with him if I would be responsible
for my own entertainment and make no demands upon him. I said to myself
that I should certainly dig up something interesting alone here. Of
course I had not reckoned at all on the find which I made—I mean the
good fortune of meeting you, Gisa.” (_G._ p. 92.) Zoë now feels obliged
to leave at once, to be company for her father at the “Sole.” So she
goes, after she has introduced herself to us as the daughter of the
zoologist and lizard-catcher, and has admitted in ambiguous words her
therapeutic intentions and other secret ones. The direction which she
takes is not that of the “Sun Hotel,” in which her father is awaiting
her, but it seems to her, too, that in the region of the Villa of
Diomede a shadowy form is seeking its burial-place and disappears under
one of the monuments; therefore, with foot poised each time almost
perpendicularly, she directs her steps to the Street of Tombs. Thither,
in shame and confusion, Hanold has fled, and is wandering up and down in
the portico of the court without stopping, occupied with settling the
rest of his problem by mental efforts. One thing has become
unimpeachably clear to him; that he was utterly foolish and irrational
to believe that he communed with a young Pompeiian girl who had become
more or less physically alive again; and this clear insight into his
madness forms incontestably an essential bit of progress in the return
to sound reason. On the other hand, however, this living girl, with whom
other people also communicate, as with one of a corporeal reality like
theirs, is Gradiva, and she knows his name; for the solution of this
riddle his scarcely awakened reason is not strong enough. Emotionally,
also, he is not calm enough to be equal to so difficult a task, for he
would most gladly have been buried two thousand years ago in the Villa
of Diomede, only to be sure of never meeting Zoë-Gradiva again. A
violent longing to see her struggles meanwhile with the remnants of the
inclination to flee, which has persisted in him.
Public-domain text, read in full here on John Shaqi.
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